A Tree with a Bird in it:: A Symposium of Contemporary American Poets on Being Shown a Pear-tree on Which Sat a Grackle — John Shaqi
A Tree with a Bird in it:: A Symposium of Contemporary American Poets on Being Shown a Pear-tree on Which Sat a GrackleWiddemer, Margaret
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A Tree with a Bird in it:: A Symposium of Contemporary American Poets on Being Shown a Pear-tree on Which Sat a Grackle
Widdemer, Margaret
American poetry -- 20th century; Parodies
In Mount Olympus we have heard a noise and crying
As swine that in deep agony are dying,
A voice of tom-cats wailing,
A never failing
Thud as of rolling logs:
A chattering like frogs,
And all this noise, unceasing, thunderous,
Making a horrible fuss,
Cries out upon my name.
Oh, what am I, the Muse and giver of Fame,
So to be mocked and humbled by this use?
I--I, the Muse!
(_Enter Spirit of Modern Poetry, a lady with bobbed hair, clad lightly in
horn glasses and a sex-complex._)
SPIRIT OF MODERN POETRY
You're behind the times; quite narrow,
Don't you want
Culture for the masses?
MUSE
No; I am Greek; we never did.
Besides, it _isn't_ culture.
CHORUS OF ELDERLY LADIES WHO APPRECIATE POETRY, (_trotting by two
by two on their way to a lecture, pause._)
Oh, how narrow! Oh, how shocking!
She's no Muse! She must be mocking!
MUSE (_sternly, having lost her temper by this time_)
I am a goddess. Trifle not with me.
ELDERLY LADIES (_with resolute tolerance_)
She _looks_ like a pupil of Isadora Duncan,
But she says she's a goddess; what folly we'd be sunk in
To believe a word she says; she needs broad'ning, we conjecture--
My dear, come with us to Miss Rittenhouse's lecture!
MUSE (_lifting her arms angrily_)
Até, my sister!
ATÉ, (_behind the scenes_) I come!
(_Enter from one side, Band of Poets--very large--with lyres and wreaths
put on over their regular clothes. From the other side, a chorus of
Poetry Critics. At their end steals Até, Goddess of Discord, disguised
as a Critic by means of horn glasses and a Cane. The Poets do not see
her--or anything but themselves, indeed. They sing obliviously_)
My maiden aunt in Keokuk
She writes free verse like anything;
My great-grandmother is in luck,
She's sold her three-piece work on Spring;
My mother does Poetic Plays,
My dad does rhymes while signing checks,
And my flapper sister--we wouldn't have missed her--
She's writing an epic on Sin and Sex--
The world's as perfect as it can be,
Everybody writes Poetry!
CHORUS OF CRITICS, (_chanting yet more loudly:_)
The world's not _quite_ as perfect as it yet might be,
Excepting for our brother-critics' poetry!
(_The Spirit of Discord now creeps softly out from among the Critics._)
SPIRIT OF DISCORD
Rash poets, think what you would do--
There's nobody left you can read it to!
POETS (_aghast_)
We never thought of that!
An audience, 'tis flat,
Is our most pressing need,
To listen to our screed;
(_Each turns to his neighbor_)
Base scribbler, get thee hence
Or be my audience!
Semi-chorus:
We want to write ourselves! We'll not!
Semi-chorus:
But what _you_ write is merely rot!
Hush up and let _me_ read
My great, eternal screed!
ATÉ (_stealthily_) Ha, ha!
Public-domain text, read in full here on John Shaqi.
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