A Unique Story of a Marvellous Career: Life of Hon. Phineas T. BarnumBenton, Joel
History
A Unique Story of a Marvellous Career: Life of Hon. Phineas T. Barnum
Benton, Joel
Barnum's American Museum; Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
With great hopes for the success of his project, Barnum entered
upon the management of the Museum. It was a new epoch in his
career, he felt that the opportunity of his life had presented
itself--in the show business, to be sure, but in a permanent,
substantial phase of it.
He must pay for the establishment within the stipulated time, or
forfeit all he had paid on account. A rigid plan of economy was
determined upon, his wife agreeing to support the family on $600
a year, or even on four hundred if necessary. Barnum himself made
every possible personal retrenchment. One day, some six months
after the purchase had been made, Mr. Olmsted happened into the
ticket office, while the proprietor was eating his lunch of cold
corned beef and bread.
"Is that all you eat for dinner?" asked Mr. Olmsted.
"I have not eaten a warm dinner, except on Sundays, since I
bought the Museum," was the reply, "and I don't intend to, until
I am out of debt."
"That's right," said Mr. Olmsted, heartily, "and you'll pay for
the Museum before the year is out."
And he was right.
The nucleus of this establishment, Scudder's Museum, was formed
in 1810. It was begun in Chatham Street, and was afterward
transferred to the old City Hall, and from small beginnings, by
purchases, and to a considerable degree by presents, it had grown
to be a large and valuable collection. People in all parts of the
country had sent in relics and rare curiosities. Sea captains for
years had brought and deposited strange things from foreign
lands; and besides all these gifts, the previous proprietor had
actually expended, as was stated, $50,000 in making the
collection, which valuable as it was when Barnum bought it, was
only the beginning of its subsequent greatness. In 1842 the
entire contents of Peale's Museum was purchased, and in 1850 the
Peale collection of Philadelphia was added. In 1865 the space
occupied for museum purposes was more than twice as large as in
1842. The Lecture Room, originally narrow, ill-contrived, and
inconvenient, was so enlarged and improved that it became one of
the most commodious and beautiful amusement halls in the city of
New York. At first the attractions and inducements were merely
the collection of curiosities by day, and an evening
entertainment, consisting of such variety performances as were
current in ordinary shows. Then Saturday afternoons and, soon
afterward, Wednesday afternoons, were devoted to entertainments,
and the popularity of the Museum grew so rapidly that it was
presently found expedient and profitable to open the great
Lecture Room every afternoon, as well as every evening, on every
weekday in the year. The first experiments in this direction more
than justified expectations, for the day exhibitions were always
more thronged than those of the evening.
Holidays, of course, were made the most of, and there is a record
of twelve performances, to as many audiences, being given in one
day.
Public-domain text, read in full here on John Shaqi.
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