The Ducal palace is an immense building, entirely of marble. Besides the apartments of the Doge, there are also halls and chambers for the senate, and all the different councils and tribunals. The principal entrance is by a spacious stair, called the Giants stair, on account of two Colossal statues of Mars and Neptune, placed at the top; they are of white marble, the work of Sansovino, and intended to represent the naval and military power of this state. Their gigantic size might be proper enough formerly, but they would be juster emblems of the present force of this republic if their stature were more moderate. Under the porticoes, to which you ascend by this stair, you may perceive the gaping mouths of lions, to receive anonymous letters, informations of treasonable practices, and accusations of magistrates for abuses in office. From the palace there is a covered bridge of communication to a state prison, on the other side of the canal. Prisoners pass to and from the courts over this bridge, which is named Ponte Dei Sospiri. The apartments and halls of the Ducal palace are ornamented by the pencils of Titian, Paul Veronese, Tintoret, Palma, the Bassans, and other painters. The rape of Europa, and the storming of Zara, both by Paul Veronese are amongst the highest esteemed pieces of that master. The foot of Europa is honoured with the particular admiration of the connoisseurs; the bull seems to be of their way of thinking, for he licks it as he bears her along above the waves. Some people admire even this thought of the painter; I cannot say I am of the number: I think it is the only thing in the picture which is not admirable; it is making Jupiter enter a little too much into the character which he had assumed. There are a few pictures in this palace by Titian, but a great many by the other masters. The subjects are mostly taken from the history of Venice. Within the palace there is a little arsenal, which communicates with the hall of the great council. Here a great number of muskets are kept, ready charged, with which the nobles may arm themselves on any sudden insurrection, or other emergency. The lower gallery, or the piazza under the palace, is called the Broglio. In this the noble Venetians walk and converse: it is only here, and at council, where they have opportunities of meeting together; for they seldom visit openly, or in a family way, at each other’s houses, and secret meetings would give umbrage to the state inquisitors; they chuse, therefore, to transact their business on this public walk. People of inferior rank seldom remain on the Broglio for any length of time when the nobility are there. LETTER VI. Venice.