The patriarchal church of St. Mark, though one of the richest and most expensive in the world, does not strike the eye very much at first; the architecture is of a mixed kind, mostly Gothic, yet many of the pillars are of the Grecian orders; the outside is incrusted with marble; the inside, cieling, and floor, are all of the finest marble; the numerous pillars which support the roof are of the same substance; the whole is crowned by five domes;—but all this labour and expence have been directed by a very moderate share of taste. The front, which looks to the palace, has five brass gates, with historical bas-relieves; over the principal gate are placed the four famous bronze horses, said to be the workmanship of Lycippus; they were given to the emperor Nero, by Tiridates, king of Armenia; the fiery spirit of their countenances, and their animated attitudes, are perfectly agreeable to their original destination, of being harnessed to the chariot of the Sun.—Nero placed them on the triumphal arch consecrated to him, and they are to be seen on the reverse of some of his medals; they were removed from Rome to Constantinople, placed in the Hyppodrome by Constantine, and remained there till the taking of Constantinople by the French and Venetians in the beginning of the 13th century, when they were carried to Venice, and placed upon the gate of St. Mark’s church. The treasury of St. Mark is very rich in jewels and relics; and it was necessary to apply to one of the Procurators of St. Mark for leave to see it. I shall only mention a few of the most valuable effects kept here. Eight pillars from Solomon’s temple at Jerusalem; a piece of the Virgin Mary’s veil, some of her hair, and a small portion of her milk; the knife used by our Saviour, at his last supper; one of the nails of the cross, and a few drops of his blood. After these it would be impertinent to enumerate the bones, and other relics, of saints and martyrs, of which there is a plentiful show in this church, and still less need I take up your time with an inventory of the temporal jewels kept here; it would be unpardonable, however, to omit mentioning the picture of the Virgin, by St. Luke. From this, compared with his other works, it is plain, that St. Luke was a much better evangelist than painter: some professions seem to be almost incompatible with each other. I have known many very good painters who would have made bad saints, and here is an instance of an excellent saint who was but an indifferent painter. The old Procuratie is built of a kind of black marble; the new is of the pietra dura of Istria. The church of St. Geminiano is an elegant piece of architecture, by Sansovino.