United States -- Social life and customs -- 19th century -- Fiction
Transcribed from the 1904 Gay and Bird edition by David Price, email
ccx074@pglaf.org
[Picture: Book cover]
A VILLAGE
STRADIVARIUS
BY
KATE DOUGLAS WIGGIN
[Picture: Decorative graphic]
LONDON
GAY AND BIRD
1904
* * * * *
THIS STORY APPEARS IN
‘THE VILLAGE WATCHTOWER.’
* * * * *
_All rights reserved_
I
“Goodfellow, Puck and goblins,
Know more than any book.
Down with your doleful problems,
And court the sunny brook.
The south-winds are quick-witted,
The schools are sad and slow,
The masters quite omitted
The lore we care to know.”
EMERSON’S _April_.
“FIND the three hundred and seventeenth page, Davy, and begin at the top
of the right-hand column.”
The boy turned the leaves of the old instruction book obediently, and
then began to read in a sing-song, monotonous tone:
“‘One of Pag-pag’”—
“Pag-a-ni-ni’s”
“‘One of Paggernyner’s’ (I wish all the fellers in your stories didn’t
have such tough old names!) ‘most dis-as-ter-ous triumphs he had when
playing at Lord Holland’s.’ (Who was Lord Holland, uncle Tony?) ‘Some
one asked him to im-provise on the violin the story of a son who kills
his father, runs a-way, becomes a high-way-man, falls in love with a girl
who will not listen to him; so he leads her to a wild country site,
suddenly jumping with her from a rock into an a-b-y-s-s’”
“Abyss.”
“‘—a—rock—into—an—abyss, where they disappear for ever. Paggernyner
listened quietly, and when the story was at an end he asked that all the
lights should be distinguished.’”
“Look closer, Davy.”
“‘Should be _ex_tinguished. He then began playing, and so terrible was
the musical in-ter-pre-ta-tion of the idea which had been given him that
several of the ladies fainted, and the sal-salon-s_a_lon, when relighted,
looked like a battle-field.’ Cracky! Wouldn’t you like to have been
there, uncle Tony? But I don’t believe anybody ever played that way, do
you?”
“Yes,” said the listener, dreamily raising his sightless eyes to the
elm-tree that grew by the kitchen door. “I believe it, and I can hear it
myself when you read the story to me. I feel that the secret of
everything in the world that is beautiful, or true, or terrible, is
hidden in the strings of my violin, Davy, but only a master can draw it
from captivity.”
Public-domain text, read in full here on John Shaqi.
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