A Virtuoso's Collection (From "Mosses from an Old Manse")Hawthorne, Nathaniel
General
A Virtuoso's Collection (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
The virtuoso made no answer except by a dry laugh and an assurance that
the salamander was the very same which Benvenuto Cellini had seen in
his father’s household fire. He then proceeded to show me other
rarities; for this closet appeared to be the receptacle of what he
considered most valuable in his collection.
“There,” said he, “is the Great Carbuncle of the White Mountains.”
I gazed with no little interest at this mighty gem, which it had been
one of the wild projects of my youth to discover. Possibly it might
have looked brighter to me in those days than now; at all events, it
had not such brilliancy as to detain me long from the other articles of
the museum. The virtuoso pointed out to me a crystalline stone which
hung by a gold chain against the wall.
“That is the philosopher’s stone,” said he.
“And have you the elixir vita which generally accompanies it?” inquired
I.
“Even so; this urn is filled with it,” he replied. “A draught would
refresh you. Here is Hebe’s cup; will you quaff a health from it?”
My heart thrilled within me at the idea of such a reviving draught; for
methought I had great need of it after travelling so far on the dusty
road of life. But I know not whether it were a peculiar glance in the
virtuoso’s eye, or the circumstance that this most precious liquid was
contained in an antique sepulchral urn, that made me pause. Then came
many a thought with which, in the calmer and better hours of life, I
had strengthened myself to feel that Death is the very friend whom, in
his due season, even the happiest mortal should be willing to embrace.
“No; I desire not an earthly immortality,” said I.
“Were man to live longer on the earth, the spiritual would die out of
him. The spark of ethereal fire would be choked by the material, the
sensual. There is a celestial something within us that requires, after
a certain time, the atmosphere of heaven to preserve it from decay and
ruin. I will have none of this liquid. You do well to keep it in a
sepulchral urn; for it would produce death while bestowing the shadow
of life.”
“All this is unintelligible to me,” responded my guide, with
indifference. “Life—earthly life—is the only good. But you refuse the
draught? Well, it is not likely to be offered twice within one man’s
experience. Probably you have griefs which you seek to forget in death.
I can enable you to forget them in life. Will you take a draught of
Lethe?”
As he spoke, the virtuoso took from the shelf a crystal vase containing
a sable liquor, which caught no reflected image from the objects
around.
“Not for the world!” exclaimed I, shrinking back. “I can spare none of
my recollections, not even those of error or sorrow. They are all alike
the food of my spirit. As well never to have lived as to lose them
now.”
Public-domain text, read in full here on John Shaqi.
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