A Visit to the Monastery of La Trappe in 1817: With Notes Taken During a Tour Through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Touraine, Orleanois, and the Environs of Paris.; Illustrated with Numerous Coloured Engravings, from Drawings Made on the SpotFellowes, W. D. (William Dorset)
Religion
A Visit to the Monastery of La Trappe in 1817: With Notes Taken During a Tour Through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Touraine, Orleanois, and the Environs of Paris.; Illustrated with Numerous Coloured Engravings, from Drawings Made on the Spot
Fellowes, W. D. (William Dorset)
Abbaye de la Trappe (Soligny-la-Trappe, France); France -- Description and travel
Fatigued and exhausted as I was, I rambled after dinner towards the
delightful grounds of La Garenne, belonging to Monsieur La Motte, who
has embellished them in a most interesting and romantic manner.
The river Sèvres runs along the side, and separates them from the fine
old Castle of Clisson, whose high and decaying towers and battlements
give the beholder a noble idea of its ancient grandeur. The evening
was a very fine one,--one of those delightful soft, clear skies usual
at this season, the latter end of July. I sat myself down in the
grotto of Héloïse,--a spot of the deepest seclusion, formed, by the
hand of Nature, of large masses of granite. The nightingales were
singing in the lofty trees at the back; on the sides were shrubs of
every description intermingled with fruit trees, and the river having
several falls and little rocky islets, gave an air of delightful
enchantment to this most romantic scene.
Héloïse! à ce nom, qui ne doit s'attendrir?
Comme elle sut aimer! comme elle sut souffrir!
At the entrance of the grotto are engraved these lines, nearly effaced
by the hand of time.
Héloïse peut-être erra sur ce rivage,
Quand, aux yeux des jaloux dérobant son séjour,
Dans les murs du Palet elle vint mettre au jour
Un fils, cher et malheureux gage
De ses plaisirs furtifs et de son tendre amour.
Peut-être en ce réduit sauvage,
Seule, plus d'une fois, elle vint soupirer,
Et goûter librement la douceur de pleurer;
Peut-être sur ce roc assise
Elle rêvait à son malheur.
J'y veux rêver aussi; j'y veux remplir mon coeur
Du doux souvenir d'Héloïse.
I had but a few weeks before seen the tomb of Abélard and Héloïse in
the Cemetery of Père la Chaise at Paris, whither it had been recently
removed from the Convent of the Augustins, at which latter place I
had formerly made the annexed drawing of it. I had likewise been very
lately at Argenteuil, once the place of her asylum described by Pope:
In these deep solitudes and awful cells--
and had the same day witnessed the ruins of the house in which Abélard
was born, and in which Héloïse resided and became a mother, and from
whence she used to make frequent visits to this spot: all these
circumstances combined, gave the scene before me a most powerful
interest. I rose early the next day, anxious to revisit a place which
had afforded me such delight the previous evening. Wandering by the
beautiful banks of the river, along its green meadows, in a woody
recess, I observed the following lines beneath an urn, cut in the rock
on which it rested:
Consacrer dans l'obscurité,
Ses loisirs à l'étude, à l'amitié sa vie,
Sont des plaisirs dignes d'envie;
Etre chéri vaut mieux qu'être vanté!
[Illustration: RUINS OF ABÉLARD'S HOUSE.]
A little further on, is a stone pillar, with a venerable accacia tree
spreading its leaves over it. It has the following Latin inscription:
VII
IM CAESAR
AVGVSTVS
PONTIFEX MAX
VIAM. OLIM
A CONIVINCO
AD LIMONEM
Public-domain text, read in full here on John Shaqi.
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