A Walk from London to FulhamCroker, Thomas Crofton
History
A Walk from London to Fulham
Croker, Thomas Crofton
London (England) -- Description and travel
In 1818 the Admiral Keppel courted the custom of passing travellers by a
poetical appeal to the feelings of both man and beast:—
“Stop, brave boys, and quench your thirst;
If you won’t drink, your horses murst.”
There was something rural in this: the distich was painted in very rude
white letters on a small black board; and when Keppel’s portrait, which
swung in air, like England’s flag, braving
“The battle and the breeze,”
was unhinged and placed against the front of the house, this board was
appended as its motto. Both, however, were displaced by the march of
public-house improvement; the weather-beaten sign of the gallant
admiral’s head was transferred to a wall of the back premises, where its
“faded form” might, until recently, have been recognised; but, though the
legible record has perished, _opus vatum durat_.
AMELIA PLACE is a row of nine houses immediately beyond the Admiral
Keppel. Within the walls of the last low house in the row, and the
second with a verandah, the Right Hon. John Philpot Curran died on the
14th of October, 1817. It had then a pleasant look-out upon green fields
and a nursery-garden, now occupied by Pelham Crescent. Here it was, with
the exception of a short excursion to Ireland, that Curran had resided
during the twelve months previous to his death. [Picture: No. 7 Amelia
Place] Curran’s public life may be said to have terminated in 1806, when
he accepted the office of Master of the Rolls in Ireland, an appointment
of £5000 a year. This situation he retained until 1815, when his health
required a cessation from its laborious attendance. Upon his retirement
from office, he “passed through the watering-places with the season,” and
then fixed himself at No. 7, Amelia Place, Brompton, which house has now
Kettle’s boot and shoe warehouse built out in front. To no other
contemporary pen than that of the Rev. George Croly can be ascribed the
following glowing sketch of Curran:—
Public-domain text, read in full here on John Shaqi.
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