A Walk from London to John O'Groat's: With Notes by the Way — John Shaqi
A Walk from London to John O'Groat's: With Notes by the WayBurritt, Elihu
History
A Walk from London to John O'Groat's: With Notes by the Way
Burritt, Elihu
Agriculture -- Great Britain; England -- Description and travel
Indeed, every town and village, great or small, which you pass
through or near on the railway, looks as if you came fifty years
before you were expected. It says, in all the legible expressions
of its countenance, "Lack-a-day!--if here isn't that creature come
already, and looking in at my back door before I had time to turn
around, or put anything in shape!" The Iron Horse himself gets no
sympathy nor humane admiration. He stands grim and wrathy, when
reined up for two minutes and forty-five seconds at a station. No
venturesome boys pat him on the flanks, or look kindly into his
eyes, or say a pleasant word to him, or even wonder if he is tired,
or thirsty, or hungry. None of the ostlers of the greasy stables,
in which the locomotives are housed, ever call him Dobbin, or Old
Jack, or Jenny, or say, "Well done, old fellow!" when they unhitch
him from the train at midnight, after a journey of a hundred
leagues. His driver is a real man of flesh and blood; with wife and
children whom he loves. He goes on Sunday to church, and, maybe,
sings the psalms of David, and listens devoutly to the sermon, and
says prayers at home, and the few who know him speak well of him, as
a good and proper man in his way. But, spurred and mounted upon the
saddle of the great iron hexiped, nearly all the passengers regard
him as a part of the beast. No one speaks to him, or thinks of him
on the journey. He may pull up at fifty stations, and not a soul
among the Firsts, Seconds, or even Thirds, will offer him a glass of
beer, or pipe-full of tobacco, or give him a sixpence at the end of
the ride for extra speed or care. His face is grimy, and greasy,
and black. All his motions are ambiguous and awkward to the casual
observer. He has none of the sedate and conscious dignity of his
predecessor on the old stage-coach box. He handles no whip, like
him, with easy grace. Indeed, in putting up his great beast to its
best speed, he "hides his whip in the manger," according to a
proverb older than steam power. He wears no gloves in the coldest
weather; not always a coat, and never a decent one, at his work. He
blows no cheery music out of a brass bugle as he approaches a town,
but pricks the loins of the fiery beast, and makes him scream with a
sound between a human whistle and an alligator's croak. He never
pulls up abreast of the station-house door, in the fashion of the
old coach driver, to show off himself and his leaders, but runs on
several rods ahead of his passengers and spectators, as if to be
clear of them and their comments, good or bad. At the end of the
journey, be it at midnight or day-break, not a man nor a woman he
has driven safely at the rate of forty miles an hour thinks or cares
what becomes of him, or separates him in thought from the great iron
monster he mounts. Not the smock-frocked man, getting out of the
forwardmost Third, with his stick and bundle, thinks of him, or
stops a moment to see him back out and turn into the stable.
Public-domain text, read in full here on John Shaqi.
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