A Walk from London to John O'Groat's: With Notes by the Way — John Shaqi
A Walk from London to John O'Groat's: With Notes by the WayBurritt, Elihu
History
A Walk from London to John O'Groat's: With Notes by the Way
Burritt, Elihu
Agriculture -- Great Britain; England -- Description and travel
With all the practical advantages of this machine propulsion at bird
speed over space, it confounds and swallows up the poetical aspects
and picturesque sceneries that were the charm of old-fashioned
travelling in the country. The most beautiful landscapes rotate
around a locomotive axis confusedly. Green pastures and yellow
wheat fields are in a whirl. Tall and venerable trees get into the
wake of the same motion, and the large, pied cows ruminating in
their shade, seem to lie on the revolving arc of an indefinite
circle. The views dissolve before their best aspect is caught by
the eye. The flowers, like Eastern beauties, can only be seen "half
hidden and half revealed," in the general unsteadiness. As for
bees, you cannot hear or see them at all; and the songs of the
happiest birds are drowned altogether by the clatter of a hundred
wheels on the metal track. If there are any poor, flat, or fen
lands, your way is sure to lie through them. In a picturesque and
undulating country, studded with parks and mansions of wealth and
taste, you are plunging through a long, dark tunnel, or walled into
a deep cut, before your eye can catch the view that dashes by your
carriage window. If you have a utilitarian proclivity and purpose,
and would like to see the great agricultural industries of the
country, they present themselves to you in as confused aspects as
the sceneries of the passing landscape. The face of every farm is
turned from you. The farmer's house fronts on the turnpike road,
and the best views of his homestead, of his industry, prosperity,
and happiness, look that way. You only get a furtive glance, a kind
of clandestine and diagonal peep at him and his doings; and having
thus travelled a hundred miles through a fertile country you can
form no approximate or satisfactory idea of its character and
productions.
Public-domain text, read in full here on John Shaqi.
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