American fiction -- 19th century; Love stories; Man-woman relationships -- Fiction; San Francisco (Calif.) -- Fiction
A knock at his door was followed by the appearance of Mr. Woods. Mr.
Hathaway's portmanteau had come, and Mrs. Woods had sent a message,
saying that in view of the limited time that Mr. Hathaway would have
with his ward, Mrs. Woods would forego her right to keep him at her
side at dinner, and yield her place to Yerba. Paul thanked him with a
grave inward smile. What if he made his dramatic disclosure to her
confidentially over the soup and fish? Yet, in his constantly recurring
conviction of the girl's independence, he made no doubt she would have
met his brutality with unflinching pride and self-possession. He began
to dress slowly, at times almost forgetting himself in a new kind of
pleasant apathy, which he attributed to the odor of the flowers, and
the softer hush of twilight that had come on with the dying away of the
trade winds, and the restful spice of the bay-trees near his window.
He presently found himself not so much thinking of Yerba as of SEEING
her. A picture of her in the summer-house caressing her cheek with the
roses seemed to stand out from the shadows of the blank wall opposite
him. When he passed into the dressing-room beyond, it was not his own
face he saw in the glass, but hers. It was with a start, as if he had
heard HER voice, that he found upon his dressing-table a small vase
containing a flower for his coat, with the penciled words on a card in
a school-girl's hand, "From Yerba, with thanks for staying." It must
have been placed there by a servant while he was musing at the window.
Half a dozen people were already in the drawing-room when Paul
descended. It appeared that Mr. Woods had invited certain of his
neighbors--among them a Judge Baker and his wife, and Don Caesar
Briones, of the adjacent Rancho of Los Pajaros, and his sister, the
Dona Anna. Milly and Yerba had not yet appeared. Don Caesar, a young
man of a toreador build, roundly bland in face and murky in eye, seemed
to notice their absence, and kept his glances towards the door, while
Paul engaged in conversation with Dona Anna--if that word could convey
an impression of a conventionality which that good-humored young lady
converted into an animated flirtation at the second sentence with a
single glance and two shakes of her fan. And then Milly fluttered
in--a vision of school-girl freshness and white tulle, and a moment
later--with a pause of expectation--a tall, graceful figure, that at
first Paul scarcely recognized.
Public-domain text, read in full here on John Shaqi.
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