A Warning to the Curious, and Other Ghost StoriesJames, M. R. (Montague Rhodes)
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A Warning to the Curious, and Other Ghost Stories
James, M. R. (Montague Rhodes)
English fiction -- 20th century; Ghost stories, English; Short stories, English
When this thoroughly congenial task was finished, I must say that
it would have been difficult to find a more perfect and attractive
specimen of a Doll’s House in Strawberry Hill Gothic than that which
now stood on Mr Dillet’s large kneehole table, lighted up by the
evening sun which came slanting through three tall sash-windows.
It was quite six feet long, including the Chapel or Oratory which
flanked the front on the left as you faced it, and the stable on
the right. The main block of the house was, as I have said, in the
Gothic manner: that is to say, the windows had pointed arches and were
surmounted by what are called ogival hoods, with crockets and finials
such as we see on the canopies of tombs built into church walls. At the
angles were absurd turrets covered with arched panels. The Chapel had
pinnacles and buttresses, and a bell in the turret and coloured glass
in the windows. When the front of the house was open you saw four large
rooms, bedroom, dining-room, drawing-room and kitchen, each with its
appropriate furniture in a very complete state.
The stable on the right was in two storeys, with its proper complement
of horses, coaches and grooms, and with its clock and Gothic cupola
for the clock bell.
Pages, of course, might be written on the outfit of the mansion--how
many frying pans, how many gilt chairs, what pictures, carpets,
chandeliers, four-posters, table linen, glass, crockery and plate it
possessed; but all this must be left to the imagination. I will only
say that the base or plinth on which the house stood (for it was fitted
with one of some depth which allowed of a flight of steps to the front
door and a terrace, partly balustraded) contained a shallow drawer
or drawers in which were neatly stored sets of embroidered curtains,
changes of raiment for the inmates, and, in short, all the materials
for an infinite series of variations and refittings of the most
absorbing and delightful kind.
“Quintessence of Horace Walpole, that’s what it is: he must have had
something to do with the making of it.” Such was Mr Dillet’s murmured
reflection as he knelt before it in a reverent ecstasy. “Simply
wonderful; this is my day and no mistake. Five hundred pound coming in
this morning for that cabinet which I never cared about, and now this
tumbling into my hands for a tenth, at the very most, of what it would
fetch in town. Well, well! It almost makes one afraid something’ll
happen to counter it. Let’s have a look at the population, anyhow.”
Accordingly, he set them before him in a row. Again, here is an
opportunity, which some would snatch at, of making an inventory of
costume: I am incapable of it.
There were a gentleman and lady, in blue satin and brocade
respectively. There were two children, a boy and a girl. There was
a cook, a nurse, a footman, and there were the stable servants, two
postillions, a coachman, two grooms.
“Anyone else? Yes, possibly.”
Public-domain text, read in full here on John Shaqi.
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