A Warning to the Curious, and Other Ghost StoriesJames, M. R. (Montague Rhodes)
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A Warning to the Curious, and Other Ghost Stories
James, M. R. (Montague Rhodes)
English fiction -- 20th century; Ghost stories, English; Short stories, English
The curtains of the four-poster in the bedroom were closely drawn round
four sides of it, and he put his finger in between them and felt in
the bed. He drew the finger back hastily, for it almost seemed to him
as if something had--not stirred, perhaps, but yielded--in an odd live
way as he pressed it. Then he put back the curtains, which ran on rods
in the proper manner, and extracted from the bed a white-haired old
gentleman in a long linen night-dress and cap, and laid him down by the
rest. The tale was complete.
Dinner time was now near, so Mr Dillet spent but five minutes in
putting the lady and children into the drawing-room, the gentleman into
the dining-room, the servants into the kitchen and stables, and the old
man back into his bed. He retired into his dressing room next door, and
we see and hear no more of him until something like eleven o’clock at
night.
His whim was to sleep surrounded by some of the gems of his collection.
The big room in which we have seen him contained his bed: bath,
wardrobe, and all the appliances of dressing were in a commodious room
adjoining: but his four-poster, which itself was a valued treasure,
stood in the large room where he sometimes wrote, and often sat,
and even received visitors. To-night he repaired to it in a highly
complacent frame of mind.
There was no striking clock within earshot--none on the staircase, none
in the stable, none in the distant Church tower. Yet it is indubitable
that Mr Dillet was startled out of a very pleasant slumber by a bell
tolling One.
He was so much startled that he did not merely lie breathless with
wide-open eyes, but actually sat up in his bed.
He never asked himself, till the morning hours, how it was that,
though there was no light at all in the room, the Doll’s House on the
kneehole table stood out with complete clearness. But it was so. The
effect was that of a bright harvest moon shining full on the front of
a big white stone mansion--a quarter of a mile away it might be, and
yet every detail was photographically sharp. There were trees about
it, too--trees rising behind the chapel and the house. He seemed to be
conscious of the scent of a cool still September night. He thought he
could hear an occasional stamp and clink from the stables, as of horses
stirring. And with another shock he realized that, above the house, he
was looking, not at the wall of his room with its pictures, but into
the profound blue of a night sky.
There were lights, more than one, in the windows, and he quickly saw
that this was no four-roomed house with a movable front, but one of
many rooms, and staircases--a real house, but seen as if through the
wrong end of a telescope. “You mean to show me something,” he muttered
to himself, and he gazed earnestly on the lighted windows. They would
in real life have been shuttered or curtained, no doubt, he thought;
but, as it was, there was nothing to intercept his view of what was
being transacted inside the rooms.
Public-domain text, read in full here on John Shaqi.
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