'I don't despise it, I assure you. It is very inspiriting, at
least--it would chime in well with one's feelings if one were in high
spirits.'
'Still I know you are ascribing my change of taste in music to a great
moral deterioration. But listen----'
She broke off in a gavotte she was playing, and sang 'Auld Robin Gray'
so that every note seemed to strike on my heart. In the old time among
the hills Babiole used to sing it to me, in a wild, sweet, bird-like
voice that thrilled and charmed me, and made me call her my little
tame nightingale; but the song I heard now was not the same; there was
a new ring in the pathos, a plaintive cry that seemed to reach my very
soul; and I listened holding my breath.
When the last note was touched on the piano, I raised my head with an
effort and looked at her; almost expecting, I believe, to see tears in
her eyes. She was looking at me, curiously, with a very still face of
grave inquiry. As she met my gaze she looked down at the keys, and
began another waltz.
'Don't play any more,' I said abruptly.
She stopped, and seeming for a moment rather embarrassed, began to
turn over the leaves of a pile of music on a chair beside her.
'You have learnt to sing, I suppose,' I said quietly. 'You know I am a
Goth in musical matters, but I can tell that.'
'And of course you are going to tell me that my fresh untutored voice
gave sweeter music than any singing-master could produce,' said she,
with almost spasmodic liveliness.
'Indeed I am not. Your singing to-night not only struck me as being
infinitely better than it used to be from a musician's point of view,
but it expressed the sentiment of the song with a vividness that
caused me acute pain.'
I had risen from my seat, and was standing by the piano. She shot up
at me one of her old looks, a child's shy appeal for indulgence.
'You have learnt a great deal since I saw you last; you have become
the accomplished fascinating woman it was your ambition to be. I have
never met any one more amusing.'
'Yes,' she said slowly; 'I have fulfilled my ambition, I suppose.' For
a few minutes she remained busy with the leaves of the music, while I
still watched her, and noticed how the plump healthy red hands of the
mountain girl had dwindled into the slender white ones of the London
lady. Then she leaned forward over the keyboard, and asked curiously,
'Which do you like best, the little wild girl whom you used to teach,
or the accomplished woman who amuses you?'
'I like them both, in quite a different way.' If I am not mistaken her
face fell. 'To tell you the truth, I now find it hard to connect the
two. I love the memory of the little wild girl who used to sit by my
side, and make me think myself a very wise person by the eagerness
with which she listened to me, while I laid down the law on all
matters human and divine; and I have a profound admiration for the
gracious lady whom I meet to-night for the first time.'
Public-domain text, read in full here on John Shaqi.
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