The square was planted with maples; a hitching rack ran quite around it
and was, in the number and character of the vehicles attached to it, a
sort of public calendar for the days of the week and the seasons. On
court days and elections, I remember, they quite filled the rack and
overflowed to the tie-posts in front of the courthouse, which stood on
its own ground a little off from the square, balanced on the opposite
side by the Methodist Church. It was a perfect index to the country
neighbourhoods that spread east and north to the flat, black corn lands,
west to the marl and clay of the river district, and south to the
tall-weeded, oozy Bottoms. Teams from the Bottoms, I believe, always had
cockleburs in their tails; and spanking dapple grays drove in with
shining top-buggies from the stock farms whose flacking windmills on the
straight horizons of the north, struck on my childish fancy as some sort
of mechanical scarecrow to frighten away the homey charms of the wooded
hills. I recall this sort of detail as the only thing in my native town
that affected my imagination. When I saw the flakes of black loam
dropping from the tires, or the yellow clay of the river district caked
solidly about the racked hubs, I was stirred by the allurement of travel
and adventure, the movement of human enterprise on the fourwent ways of
the world.
From my always seeming to see them so bemired with their recent
passages, I gather that my observations must have been made chiefly in
winter on my way to school. From other memories of Taylorville arched in
by the full-leaved elms and maples, smelling of dust and syringas, and
never quite separable from a suspicion of boredom, I judge my summer
acquaintance with its streets to have been chiefly by way of going to
church, for, until the winter I was eleven years old, Taylorville, the
world in fact, meant Hadley's pasture.
Public-domain text, read in full here on John Shaqi.
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