Aaron Rodd, DivinerOppenheim, E. Phillips (Edward Phillips)
General
Aaron Rodd, Diviner
Oppenheim, E. Phillips (Edward Phillips)
Detective and mystery stories, English; English fiction -- 20th century
"After the first few nights," the young man explained, "I was compelled
to engage substitutes. I have acquaintances whose life has been
spent--shall we say on the fringe of things? With their aid I made the
acquaintance of various professional gentlemen from the east end, who
for a suitable remuneration took up this business with avidity. They
were of all sizes and they operated in all localities, choosing their
victims, so far as possible, with discretion. There was but one
question--'Have you read the poems of Stephen Cresswell?'--generally a
bewildered negative and then biff! The people began frantically to
enquire who was Stephen Cresswell, where were his poems to be obtained?
People who had the slightest pretensions to literary knowledge were
assailed with questions. _Punch_----"
"I saw _Punch_," Mr. Harvey Grimm interrupted. "Very clever!"
"Then the stream began," the young man continued. "I can assure you
that from the opening time till dark this place is mobbed. You see, on
the third night a confederate was saved from an imaginary assault by
promptly producing a copy of my poems. He wrote to the paper in mock
indignation but describing his escape. Then the rush began. Eleven
thousand copies have been sold, some at a premium. Eleven thousand
fourpences have found their way into my pocket. A morocco-bound and
vellum-covered edition are waiting in the press for one thing."
"And that?"
"The name of my benefactor. I wish to dedicate the third, fourth and
fifth editions of my poems to you," the young man declared
grandiloquently.
Mr. Harvey Grimm pondered.
"It is an immense compliment," he acknowledged. "We will talk of it."
"In the meantime," the poet went on, "listen. The curse of these days
is jealousy and imitation. A young man of worthy upbringing but wholly
ignorant of art, who perpetrated the daubs which you see upon the walls
here, was struck with my success. Only last Thursday an elderly
gentleman, such a one as might have been selected by my own employés,
was stopped in Hampstead and asked whether he had seen the sketches of
Sidney Wentworth, displayed in Manchester Street, Adelphi. The fool
admitted that he had never heard of them and down he went. I ask you,
sir, was there ever a more flagrant case of spoiling a man's market?
From the moment this absurd affair was reported, public feeling has
begun to change. Curiously enough, there has been very small
resentment, even on the part of those who have suffered slight pains in
the cause of art, as to my methods. Now, however, that the idea has
commenced to spread that such means are becoming a regular curriculum
of the advertiser, I have noticed distinct expressions of indignation.
In plain words, I can see the end coming."
"Nothing lasts," Mr. Harvey Grimm pointed out, "and you must admit
you've had a run for your money."
Public-domain text, read in full here on John Shaqi.
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