French fiction -- Translations into English; Short stories
"Yes," he replied; "a very dubious popular tradition asserts that
Lucrezia Borgia's little house was here. If those walls could speak,
what horrors they could reveal to us! Nevertheless, my friend, when I
compare those times with our own I am seized with regrets. Under
Alexander VI. there were still Romans. Now there are none. Cæsar Borgia
was a monster; but he was a great man. He tried to turn the barbarians
out of Italy; and perhaps, if his father had lived, he might have
accomplished his great design. Oh! if only Heaven would send us a
tyrant like Borgia to deliver us from these human despots who are
degrading us!"
When Don Ottavio threw himself into the realms of politics, it was
impossible to stop him. We were at the Piazza del Popolo before his
panegyric in favour of enlightened despotism was concluded; but we were
a thousand miles from the subject of my Lucrezia.
One night, when I was very late in paying my respects to the Marquise,
she told me her son was unwell, and begged me to go up to his room. I
found him lying on his bed, still dressed, reading a French journal
which I had sent him that morning concealed between the leaves of a
volume of the Fathers. An edition of the Holy Fathers had for some time
served us for those communications which he had to conceal from the Abbé
and the Marquise. On the day when the _Courier de France_ appeared I
received a folio Father. I returned another, in which I slipped a
newspaper, lent me by the Ambassador's secretary. This gave the Marquise
an exalted notion of my piety; and also his director, who often wanted
to make me discuss theology with him.
When I had talked for some time with Don Ottavio, and had noticed that
he seemed so much upset that not even politics could attract his
attention, I recommended him to undress, and I bid him adieu. It was
cold, and I had no coat with me; Don Ottavio pressed me to take his, and
in accepting it I received a lesson in the difficult art of wearing a
cloak in the proper Roman fashion.
I left the Aldobrandi palace muffled up to the eyes. I had gone but few
steps on the pavement of the Square of Saint-Mark when a peasant, whom I
had noticed seated on a bench by the gate of the palace, came up to me
and held out a crumpled bit of paper.
"Read it, for the love of God!" he said, and quickly disappeared,
running at top speed.
I took the paper, and looked round for a light by which to read it. By
the light of a lamp which was burning before a Madonna I saw it was a
pencilled note, and written apparently in a trembling hand. I had much
difficulty in making out the following words:--
"Do not come to-night, or we are lost! All is known except your name.
Nothing can sever us.--Your LUCREZIA."
"Lucrezia!" I cried, "Lucrezia again! What devilish mystification
underlies all this? 'Do not come.' But, my good lady, what road must I
take to find you out?"
Public-domain text, read in full here on John Shaqi.
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