The amateur will look in vain in Algiers for fine examples of Arab art, such as he may study at Cairo, at Granada, or at Tlemçen, in the province of Oran. The ravages of war, the stress of successive bombardments, amply account for this. The old minarets are gone; such work of the best period as may have existed has long disappeared; what the French have spared is chiefly of the Turkish domination. But, in truth, during the great days of Mohammedan art Algiers was not of much importance. Its site had been previously occupied by the Roman Icosium, a town of little place in history, but the seat of one of the numerous North African bishoprics of the fifth century. The Arab town was founded in the tenth century, at which time numerous monuments of the Roman period are said to have been still standing. About the year 1500, when the Moors were expelled from Spain, many settled here, and adopted the profession of pirates. It is at this time that the importance of Algiers in the history of Europe commences. [Illustration: ALGIERS: DOORWAY IN THE RUE BEN-ALI] The Penon, the islet which, being connected with the shore by a mole, forms the present inner harbour of Algiers, the old harbour of the corsair fleet, is intimately connected with this period. Some good Arab work is to be seen, notably a magnificent doorway in the Bureau de la Marine, carved in white marble, or ornamented with inscriptions and with tigers,—an infringement of the Moorish law which perhaps indicates its Persian origin.[1] A small and very charming Arab house with good carving and many tiles is used as the residence of the Admiral. As I gazed deferentially at the exterior an obliging sailor invited me to enter. “This,” he said, “is the _grand salon_ of the Admiral; and this,” laying his hand on the handle of a door, “the Admiral’s _bureau_.” I recalled the Oxford undergraduate who showed “his people” over his college: “That,” he said, “is the Master’s Lodge, and that,” hurling a stone at a window, “is the Master.” Perhaps my face showed some apprehension of the possible apparition of a fierce French admiral with bristling moustache hastening to repel the foreign invader, for my conductor reassured me. “M. l’Amiral est absent,” he said. From a pleasant flagged terrace, with a summer-house at the further end, the Admiral may look down on the inner harbour, packed now with the French torpedo-boats which have replaced the lateen-rigged vessels of its former owners. Footnote 1: See Chapter IV.