to weep on account of selfish sorrows, and can move {51} ready hands to tend you now that your own grow heavy and feeble.[2] As I become more accustomed to the subdued light of the room, I note that amidst the confusion of some old pieces of furniture or lumber there are pictures, unframed and dim, leaning against the walls. One of them—a large painting of some rare plant, formerly a curiosity in the Botanical Gardens at Regent's Park, while the rest are groups of flowers and fruit. Just opposite me, on the high mantel-piece, the canvas broken here and there near the edges, obscured by the dust and smoke that have dulled their surface, are two oil-paintings which I venture to take down for a nearer inspection. Surely they must have been finished when madame was yet in the prime of her art. Exquisite in drawing, delicate in colour, and with a subtle touch that gives to each petal the fresh crumple that bespeaks it newly-blown, and to fruit the dewy down that would make even a gourmet linger ere he pressed the juice. It is almost pain to think that they are left here uncared for; and yet, who knows what influence their presence above that dingy shelf may have upon the wandering thoughts and waning dreams of her who painted them when every new effort of her skill was a keen delight? Nay, even as I hold them to the light, and in a pause of our chat (wherein Madame la Comtesse speaks slowly and with some difficulty) say some half-involuntary words of appreciation, she has risen, and stands upright by the fire with an earnest look in her face and a sudden gesture of awakened interest. The artistic instinct is there still, after more than eighty years of life, and the appreciation {52} of the work animates her yet. Not with a mere vulgar love of praise (for Madame is still la Comtesse Comoléra even though she spends her days in an almshouse), but with a recognition that I have distinguished the best of the work that is left to her to show. I shall not readily forget the sudden look of almost eager interest, the effort to speak generous words of thanks, as I bow over her hand to say farewell, and feel that I have been as privileged a visitor as though madame had received me in a gilded salon, at the door of which a powdered lacquey stood to "welcome the coming—speed the parting guest." And so with some pleasant leave-takings, and not without permission to see them again, I leave these ladies—the fitting representatives of an old nobility and an old régime—to the solitude to which they have retired from a world too ready to forget. If by any means for the solitude could be substituted a pleasant retirement, and for the sense of desolation and poverty a modest provision that would yet include some grace and lightness to light their declining days, it would be but little after all. [1] Since this was written the Almshouses have been closed, and their two or three remaining inmates "lodged out."