There was a little fat man in his shirt sleeves one morning in front of
the Theatre of the Republic, which, as everybody knows, stands under
the trees in the Champs Élysées, on the Rue Matignon, hanging a new
curtain, and the fat man, as the proprietor and manager, was naturally
anxious. Two small boys with their bare legs, and leather belts about
their smocks, and a nurse with broad blue ribbons down her back, and
myself looked our admiration from the outside of the roped enclosure.
The orchestra had laid down its fiddle, and was helping the man who
takes the twenty centimes to adjust the square yard of canvas. The
proprietor placed his fat fingers on the small of his back and threw
his head to one side and shut one eye. We waited breathlessly for his
opinion. He took two steps backward from the ten-centime seats, and
studied the effect of the curtain from that distance, with his chin
thrown up and his arms folded severely. We suggested that it was an
improvement on the old curtain, and one that would be sure to catch the
passer's eye.
[Illustration: "AND TRANSFORM LONG-HAIRED STUDENTS INTO MEMBERS OF THE
INSTITUTE"]
"Possibly," the proprietor said, indulgently, and then wiped his brow
and shook his head. He told us we had little idea how great were the
trials of an _impresario_ of an open-air theatre in the Champs Élysées.
What with the rent and the cost of the costumes and the employment
of three assistants--one to work the marionettes, and one to take up
the money, and one to play in the orchestra--expenses did run up. Of
course there was madame, his wife, who made costumes herself better
than those that could be bought at the regular costumers', and that was
a saving; and then she also helped in working the figures when there
were more than two on the scene at once, but this was hard upon her,
as she was stout, and the heat at the top of the tin-roofed theatre
up among the dusty flies was trying. And then, I suggested, there was
much competition. The proprietor waved a contemptuous dismissal of the
claims of the four little theatres about him. It was not their rivalry
that he cared for. It is true the seats were filled, but with whom?
Ah, yes, with whom? He placed his finger at the side of his nose,
and winked and nodded his head mysteriously. With the friends of the
proprietor, of course. Poor non-paying acquaintances to make a show,
and attract others less knowing to a very inferior performance. Now
here with him everybody paid, and received the worth of his money many
times. Perhaps I had not seen the performance; in that case I should
surely do so. The clown and the donkey-cart were very amusing, and
the dancing skeleton, which came to pieces before the audience and
frightened the gendarme, was worthy of my approval. So the two small
boys and the nurse and the baby and I dodged under the rope and waited
for the performance.
Public-domain text, read in full here on John Shaqi.
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