Abroad at Home: American Ramblings, Observations, and Adventures of Julian StreetStreet, Julian
General
Abroad at Home: American Ramblings, Observations, and Adventures of Julian Street
Street, Julian
United States -- Description and travel; United States -- Social life and customs -- 1865-1918
When we got that settled and the pundits began to drift away to other
plate-glass rooms along the mile, more or less, of corridor devoted to
officials' offices, I became interested in a little wooden box which
stood upon the president's large flat-top desk. I was told it was a
dictagraph. Never having seen a dictagraph before, and being something
of a child, I wished to play with it as I used to play with typewriters
and letter-presses in my father's office years ago. And the president of
this many-million-dollar corporation, being a kindly man with, of
course, absolutely nothing to do but to supply itinerant scribes with
playthings, let me toy with the machine. Sitting at the desk, he pressed
a key. Then, without changing his position, he spoke into the air:
"Fred," he said, "there's some one here who wants to ask you a
question."
Then the little wooden box began to talk.
"What does he want to ask about?" it said.
That put it up to me. I had to think of something to ask. I was
conscious of a strange, unpleasant feeling of being hurried--of having
to reply quickly before something happened--some breaking of
connections.
I leaned toward the machine, but the president waved me back: "Just sit
over there where you are."
Then I said: "I am writing articles about Buffalo, Cleveland, and
Detroit. How would you compare them?"
"Well," replied the Fred-in-the-box, "I used to live in Cleveland. I've
been here four years and I wouldn't want to go back."
After that we paused. I thought I ought to say something more to the
box, but I didn't know just what.
"Is that all you want to know?" it asked.
"Yes," I replied hurriedly. "I'm much obliged. That's all I want to
know."
Of course it really wasn't all--not by any means! But I couldn't bring
myself to say so then, so I said the easy, obvious thing, and after that
it was too late. Oh, how many things there are I want to know! How many
things I think of now which I would ask an oracle when there is none to
ask! Things about the here and the hereafter; about the human spirit;
about practical religion, the brotherhood of man, the inequalities of
men, evolution, reform, the enduring mysteries of space, time, eternity,
and woman!
A friend of mine--a spiritualist--once told me of a séance in which he
thought himself in brief communication with his mother. There were a
million things to say. But when the medium requested him to give a
message he could only falter: "Are you all right over there?" The answer
came: "Yes, all right." Then my friend said: "I'm so glad!" And that was
all.
"It is the feeling of awful pressure," he explained to me, "which drives
the thoughts out of your head. That is why so many messages from the
spirit world sound silly and inconsequential. You have the one great
chance to communicate with them, and, because it _is_ your one great
chance, you cannot think of anything to say." Somehow I imagine that the
feeling must be like the one I had in talking to the dictagraph.
Public-domain text, read in full here on John Shaqi.
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