Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House on the Night of May 10th, 1849: With the Quarrels of Forrest and Macready Including All the Causes which Led to that Awful Tragedy Wherein an Infuriated Mob was Quelled by the Public Authorities and Military, with its Mournful Termination in the Sudden Death or Mutilation of more than Fifty Citizens, with Full and Authentic ParticularsAnonymous
History
Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House on the Night of May 10th, 1849: With the Quarrels of Forrest and Macready Including All the Causes which Led to that Awful Tragedy Wherein an Infuriated Mob was Quelled by the Public Authorities and Military, with its Mournful Termination in the Sudden Death or Mutilation of more than Fifty Citizens, with Full and Authentic Particulars
Anonymous
Astor Place Riot, New York, N.Y., 1849; Forrest, Edwin, 1806-1872; Macready, William Charles, 1793-1873; Mobs -- New York (State) -- New York; Riots -- New York (State) -- New York
In 1827—one year after the successful commencement of Mr. Forrest’s
career as a star of the first magnitude—Mr. Macready visited the
United States. In a fit of petulance, in which such actors are too
apt to indulge, Mr. Macready came near fomenting a disturbance in
Baltimore, which, but for his adroit management, might have caused him
then to have been driven from the American stage. In playing “William
Tell,” the property-man had forgotten to furnish the arrow to be
broken; and Macready was obliged to break one of his shooting arrows.
In his anger at the offending party, he said—“I can’t get such an
arrow in your country, sir!” or, as it was reported—“I can’t get wood
to make such an arrow in your country!” This was construed into an
insult to the country. Anonymous letters were sent to the newspapers;
but, as these were sent to Mr. M., he had an opportunity to make an
explanation, and avoid a row.
Macready and Forrest were starring through the country, playing
alternate engagements—but not, so far as we know, developing any
very decided feelings of rivalry. Their roles of characters, and
spheres of action, were quite apart; and when they met each other,
their intercourse—as it was many years afterward—was of the most
gentlemanly character.
About the year 1835, Mr. Forrest went to Europe, and spent some time in
travelling on the continent; after which, he returned to America for
a short time; and then went back to England, to fulfil professional
engagements—in which he was so highly successful, that on his return,
he was honored with a public dinner in Philadelphia; and about this
time, he was tendered a nomination to Congress by the Democracy of New
York—before whom he delivered a Fourth of July oration.
In 1844, Mr. Macready visited the United States. He and Mr. Forrest
had become intimate in England; and here, Mr. F. tendered him the
courtesies due to so distinguished a professional brother; but it so
happened, that in most of the cities where Macready was engaged, there
were more theatres than one—and, of consequence, rival managers. Where
one of these had secured Mr. Macready, the other was anxious to get
the best talent to be found to run against him; and there was no one
so available as Mr. Forrest—who is not the man to refuse a profitable
engagement, nor did any rule of courtesy require that he should do so.
Public-domain text, read in full here on John Shaqi.
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