Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House on the Night of May 10th, 1849: With the Quarrels of Forrest and Macready Including All the Causes which Led to that Awful Tragedy Wherein an Infuriated Mob was Quelled by the Public Authorities and Military, with its Mournful Termination in the Sudden Death or Mutilation of more than Fifty Citizens, with Full and Authentic ParticularsAnonymous
History
Account of the Terrific and Fatal Riot at the New-York Astor Place Opera House on the Night of May 10th, 1849: With the Quarrels of Forrest and Macready Including All the Causes which Led to that Awful Tragedy Wherein an Infuriated Mob was Quelled by the Public Authorities and Military, with its Mournful Termination in the Sudden Death or Mutilation of more than Fifty Citizens, with Full and Authentic Particulars
Anonymous
Astor Place Riot, New York, N.Y., 1849; Forrest, Edwin, 1806-1872; Macready, William Charles, 1793-1873; Mobs -- New York (State) -- New York; Riots -- New York (State) -- New York
The result was, that the constant rivalry of Forrest, though carried on
in the most friendly manner, could not fail to injure the success of
Macready. A certain degree of partizanship was everywhere excited—for
Forrest was everywhere placarded as the “_American_ Tragedian,”—and
the tour of Mr. Macready was comparatively a failure. A sensitive man
could not but feel this; and whether he made any complaint or not, his
friends saw what the difficulty was, and felt not a little chagrined
about it; and when Mr. Forrest made his next and last professional
visit to England, this feeling among the friends of Macready, in
the theatrical press and the play-going public, found its vent. The
opposition to him was, from the first, marked and fatal; and, so far as
the metropolis was concerned, his tour was a failure. It was only in
the provinces—away from London influence—that he met with any degree
of success.
There was no need of Mr. Macready taking any active part in this
matter; and there is no proof that he did so, but much to the contrary;
but Mr. Forrest hastily and indignantly, and, we doubt not, sincerely,
charged it upon Mr. Macready; and one night, when the latter was
playing in “Hamlet,” at the Theatre in Edinburgh, Mr. Forrest, who was
seated in a private box, had the bad taste, as well as bad feeling,
to hiss a portion of his performance in the most marked and offensive
manner.
The following letter from Mr. Forrest gives his own account of this
affair, which differs somewhat from the statements of Mr. Macready’s
friends, as will be seen hereafter.
_To the Editor of the London Times_,—SIR,—Having seen
in your journal of the 12th instant, an article headed
“Professional Jealousy,” a part of which originally appeared
in _The Scotsman_ published in Edinburgh, I beg leave,
through the medium of your columns, to state, that at the
time of its publication, I addressed a letter to the Editor
of _The Scotsman_ upon the subject, which, as I then was in
Dumfries, I sent to a friend in Edinburgh, requesting him to
obtain its insertion; but as I was informed, _The Scotsman_
refused to receive any communication upon the subject. I
need say nothing of the injustice of this refusal. Here then
I was disposed to let the matter rest, as upon more mature
reflection, I did not deem it worth further attention; but
now, as the matter has assumed “a questionable shape” by the
appearance of the article in your journal, I feel called
upon, although reluctantly, to answer it.
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