A visit to Java would be incomplete did it not include a pilgrimage to the marvellous products of religious fervour which Buddhism reared in the plains around Djocjakarta before it went down before the all-conquering onslaught of Moslemism. These ruins testify to an ancient art and civilisation and culture and an instinct of creation few are aware of to-day, and it is hard to resist the temptation to indulge in extravagant language when attempting to describe them as they now stand, partially restored by the Dutch authorities. Miss Scidmore has lavished the wealth of her luxuriant vocabulary upon them, but neither she, nor any of her predecessors in the work of praise, saw them as they stand to-day--a wonder alike to archaeologist, architect, artist and student of comparative religions. Here in the centre of fertile plains we have the real Java of ancient times. The Dutch had been in possession of the island for two hundred years without discovering the rich deposits hidden beneath the accumulated mounds of centuries and buried under a mass of tropical vegetation. To the active mind of Sir Stamford Raffles the discovery was due. He went to Java as Lieutenant-Governor in 1811, and during the period it was under his control, he had the mounds explored, the ruined temples un-earthed and their historic import co-related with the romantic legends and poetic records rescued from the archives of the native princes. It was due to the investigations of this great Englishman that the date of the construction of the temples was fixed at the beginning of the seventh century of the Christian era, and subsequent investigators (prominent amongst whom must be placed Dr. I. Groneman, now and for many years resident of Djocjakarta and Honorary President of its Archaeological Society) agree in accepting this period as authentically proved from the ruins themselves. [Illustration] Sir Stamford was of opinion that the temples, as works of labour and art, dwarf to nothing all wonder and admiration at the great pyramids of Egypt; but since his time, it must not be forgotten, much richer discoveries in ancient art and archaeological lore have been made in Egypt and Palestine. Alfred Russell Wallace, Brumund, Fergusson, all join in the chorus of praise, and the latter, in his "History of Indian and Eastern Architecture," expresses the opinion that the Boro Budur is the highest development of Buddhist art, an epitome of all its arts and ritual, and the culmination of the architectural style, which, originating at Barhut a thousand years before--that is more than twenty-one centuries ago--had begun to decay in India at the time the colonists were erecting this masterpiece of the ages in the heart of Java. [Illustration]