Across the Plains, with Other Memories and EssaysStevenson, Robert Louis
General
Across the Plains, with Other Memories and Essays
Stevenson, Robert Louis
Essays; Monterey (Calif.) -- Description and travel; West (U.S.) -- Description and travel
If you recognise in yourself some such decisive taste, there is no room
for hesitation: follow your bent. And observe (lest I should too much
discourage you) that the disposition does not usually burn so brightly at
the first, or rather not so constantly. Habit and practice sharpen
gifts; the necessity of toil grows less disgusting, grows even welcome,
in the course of years; a small taste (if it be only genuine) waxes with
indulgence into an exclusive passion. Enough, just now, if you can look
back over a fair interval, and see that your chosen art has a little more
than held its own among the thronging interests of youth. Time will do
the rest, if devotion help it; and soon your every thought will be
engrossed in that beloved occupation.
But even with devotion, you may remind me, even with unfaltering and
delighted industry, many thousand artists spend their lives, if the
result be regarded, utterly in vain: a thousand artists, and never one
work of art. But the vast mass of mankind are incapable of doing
anything reasonably well, art among the rest. The worthless artist would
not improbably have been a quite incompetent baker. And the artist, even
if he does not amuse the public, amuses himself; so that there will
always be one man the happier for his vigils. This is the practical side
of art: its inexpugnable fortress for the true practitioner. The direct
returns—the wages of the trade are small, but the indirect—the wages of
the life—are incalculably great. No other business offers a man his
daily bread upon such joyful terms. The soldier and the explorer have
moments of a worthier excitement, but they are purchased by cruel
hardships and periods of tedium that beggar language. In the life of the
artist there need be no hour without its pleasure. I take the author,
with whose career I am best acquainted; and it is true he works in a
rebellious material, and that the act of writing is cramped and trying
both to the eyes and the temper; but remark him in his study, when matter
crowds upon him and words are not wanting—in what a continual series of
small successes time flows by; with what a sense of power as of one
moving mountains, he marshals his petty characters; with what pleasures,
both of the ear and eye, he sees his airy structure growing on the page;
and how he labours in a craft to which the whole material of his life is
tributary, and which opens a door to all his tastes, his loves, his
hatreds, and his convictions, so that what he writes is only what he
longed to utter. He may have enjoyed many things in this big, tragic
playground of the world; but what shall he have enjoyed more fully than a
morning of successful work? Suppose it ill paid: the wonder is it should
be paid at all. Other men pay, and pay dearly, for pleasures less
desirable.
Public-domain text, read in full here on John Shaqi.
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