Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
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Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
The child was surrendered by common consent to the care of a
kind-hearted woman, by the name of Dame Tatton, who was a widow. She
looked with an eye of trembling pity upon the little innocent who
nestled in her bosom in sobbing fear.
The little girl, for such she was, showed evidently by her attire that
she had been in the care of those of a far higher rank in life than the
kind-hearted, but humble cottager, who now strove to allay her childish
terror.
Around the neck of the infant was a small necklace of pearls, and about
its attire generally there were ample indications of wealth.
The little innocent soon sobbed itself to sleep upon the breast of Dame
Tatton, and the village gossips, after resolving in the morning to go
in a body to the Squire Learmont and ask his advice, or rather
commands, concerning the disposal of the babe that had been so
mysteriously thrown upon their hands, dispersed to seek that repose
they were so much in need of.
Every one naturally thought that Andrew Britton, the smith, knew
something of the mysterious man and the child; but none would venture
to the dwelling of “The Savage,” as he was generally called, to make an
inquiry, for his ferocity was too well known not to be universally
dreaded.
The storm had nearly gone. A heavy fall of rain was splashing on the
meadows, and beaten down vegetation, and all was still in Learmont till
the morning’s sun rose on the wreck which the tempest had made in the
green valley that the day before was redolent of peace and plenty.
Young and old then sought the cottage of Dame Tatton. They knocked at
first gently, then more loudly, but no one answered.
“My mind misgives me,” cried the young man who had the preceding
evening spoken so boldly to the smith—“my mind misgives me; but there
is something wrong. Let us force the door, my masters.”
“Nay, Frank,” said an old man. “The widow sleeps soundly after the
storm. Ye are too hasty—far too hasty, Frank Hartleton.”
“Nay to thee!” cried the impetuous youth. “’Tis but a broken panel at
the utmost, and we do force the dame’s door, and that we can any of us
mend again. What say you masters?”
“Aye, truly,” replied a little man with a red night-cap—“spoken
truly—most sagely spoken.”
“But will the squire approve of it, think ye?” suggested one.
“By my shears I thought not of that,” murmured the little man, who was
the garment fashioner of Learmont.
“Knock again,” cried several.
Frank Hartleton knocked loudly, and shouted,—
“Dame Tatton—Dame Tatton, I say; hast taken a sleeping draught?”
No voice replied. All was as still as the grave within the cottage.
Frank now placed his foot against the frail door, and with one vigorous
push he sent it flat upon the earthen floor of the cottage, and
immediately striding over it, he entered the humble dwelling.
Public-domain text, read in full here on John Shaqi.
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