Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion — John Shaqi
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of PassionRymer, James Malcolm
General
Ada, the Betrayed; Or, The Murder at the Old Smithy. A Romance of Passion
Rymer, James Malcolm
English fiction -- 19th century; Penny dreadfuls
The villagers hesitated for a moment, in order to be quite sure there
was no immediate danger in following Frank Hartleton, and then they
quickly thronged the little cottage, which could boast of but two small
apartments, so that the whole interior was in a very few minutes
examined.
The cottage was tenantless. Dame Tatton and her infant charge had both
disappeared.
The simple rustics gaped at each other in speechless amazement. The bed
had evidently been occupied, but there was no sign of confusion or
violence—all was orderly and neat—nothing was removed or disarranged. A
canary bird was singing gaily in a wicker cage; a cat slept on the
hearth; but the Widow Tatton and the mysterious child—now more
mysterious than ever—had both disappeared.
“I cannot account for this,” said Frank Hartleton. “By Heavens it’s the
most singular thing I ever heard of.”
“The place has a strange look,” cried one.
“A strange look!” said the rest in chorus. “So indeed it has.”
“Strange nonsense,” cried Frank. “So you are frightened all of you at
an empty-room are you?”
“Master Frank,” suddenly shouted one, “look ye here, you were always a
main scholar.”
Frank turned his attention to a part of the plaster wall indicated by
him who spoke, and on it was traced, as if rapidly with a thumb or
finger nail these words,—
“Help—the Squire and the Savage have—”
and that was all. Whoever had written that hurried scrawl had not had
time to finish the sentence which would probably have thrown some light
upon the inexplicable affair.
“There has been some foul play, I am convinced,” cried Frank. “My
friends, let us go at once and confront the squire.”
“You need not go far, insolent hind!” cried a hoarse voice, and Frank
turned suddenly to where the sound proceeded from, saw Squire Learmont
himself standing upon the threshold of the cottage.
Squire Learmont of Learmont, only as he preferred being called, was a
man far above the ordinary standard of height; his figure, however, was
thin and emaciated, which, coupled with his height, gave him an
ungainly appearance. His complexion was a dead white—there was nothing
of the sallow or brown in it—it was ghastly white, and contrasting with
his lank black hair which hung far down from his head straight and
snake-like without the shadow of a curl, it had a hideous corpse-like
appearance.
“I am glad,” said Frank, when he had recovered his first surprise at
the sudden appearance of Learmont, “I am glad we have not far to go,
for the business is urgent.”
Learmont waved his hand for him to proceed.
“Last night there was a storm,” continued Frank.
“Indeed!” sneered Learmont. “That is news this morning.”
Frank Hartleton felt his cheek flush with colour, but he controlled his
passion and continued,—
“A wing of the old house adjoining the smithy was on fire—the house I
mean that has been shut up so long because it is thought—”
“Who dared think?” cried Learmont, in a voice of violent anger. “Who
dared think of me—”
Public-domain text, read in full here on John Shaqi.
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