Adair's History of the American IndiansAdair, James
History
Adair's History of the American Indians
Adair, James
Indians -- Origin; Indians of North America -- Southern States
They have another appellative, which with them is the mysterious,
essential name of God—the _tetragrammaton_, or great four-lettered
name—which they never mention in common speech,—of the time and place,
when, and where, they mention it, they are very particular, and always
with a solemn air.
There is a species of tea, that grows spontaneously, and in great
plenty, along the sea-coast of the two Carolinas, Georgia, and East and
West Florida, which we call _Yopon_, or _Cusseena_:[22] The Indians
transplant, and are extremely fond of it; they drink it on certain
stated occasions, and in their most religious solemnities, with awful
invocations: but the women, and children, and those who have not
successfully accompanied their holy ark, _pro Aris et Focis_, dare not
even enter the sacred square, when they are on this religious duty;
otherwise, they would be dry scratched with snakes teeth, fixed in the
middle of a split reed, or piece of wood, without the privilege of warm
water to supple the stiffened skin.
When this beloved liquid, or supposed holy drink-offering, is fully
prepared, and fit to be drank, one of their _Magi_ brings two old
consecrated, large conch-shells, out of a place appropriated for
containing the holy things, and delivers them into the hands of two
religious attendants, who, after a wild ceremony, fill them with the
supposed sanctifying, bitter liquid: then they approach near to the two
central red and white seats, (which the {46} traders call the war, and
beloved cabbins) stooping with their heads and bodies pretty low;
advancing a few steps in this posture, they carry their shells with both
hands, at an instant, to one of the most principal men on those red and
white seats, saying, on a bass key, Y’AH, quite short: then, in like
manner, they retreat backward, facing each other, with their heads
bowing forward, their arms across, rather below their breast, and their
eyes half shut; thus, in a very grave, solemn manner, they sing on a
strong bass key, the awful monosyllable, O, for the space of a minute:
then they strike up majestic HE, on the treble, with a very intent
voice, as long as their breath allows them; and on a bass key, with a
bold voice, and short accent, they at last utter the strong mysterious
sound, WAH, and thus finish the great song, or most solemn invocation of
the divine essence. The notes together compose their sacred, mysterious
name, Y-O-HE-WAH.[23]
Public-domain text, read in full here on John Shaqi.
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