With the Cheerake Indians, _A (wàh tà) howwe_ signifies “a great deer-killer:” it is compounded of _Ahowwe_, “a deer,” _Wah_—the period of the divine name, and _Ta_, a note of plurality. The title, “the deer-killer of God for the people,” was, since my time, very honourable among them, as its radical meaning likewise imports. Every town had one solemnly appointed; him, whom they saw the Deity had at sundry times blessed with better success than the rest of his brethren, in supplying them with an holy banquet, that they might eat, and rejoice, before the divine essence. But now it seems, by reason of their great intercourse with foreigners, they have left off that old social, religious custom; and even their former noted hospitality. I will also observe, that though necessity obliged them to apply the bear’s-grease, or oil, to religious uses, they have no such phrase as _(Wah ta) eeōna_; not accounting the bear so clean an animal as the deer, to be offered, and eaten in their religious friendly feasts; where they solemnly invoked, ate, drank, sung, and danced in a circular form, to, and before, YO HE WAH. The Indian dialects, like the Hebrew language, have a nervous and emphatical manner of expression.—The Indians do not personify inanimate objects, as did the oriental heathens, but their style is adorned with images, comparisons, and strong metaphors like the Hebrews; and equal in allegories to any of the eastern nations. According to the ages of antiquity, their war-speeches, and public orations, always assume a poetical turn, not unlike the sound of the measures of the celebrated Anacreon and Pindar. Their poetry is seldom exact in numbers, rhymes, or measure: it may be compared to prose in music, or a tunable way of speaking. The period is always accompanied with a sounding vehemence, to inforce their musical speech: and the music is apparently designed to please the ear, and affect the passions. {61}