Adonijah: A Tale of the Jewish Dispersion.Strickland, Jane Margaret
History
Adonijah: A Tale of the Jewish Dispersion.
Strickland, Jane Margaret
Jerusalem -- History -- Fiction; Jerusalem -- History -- Siege, 70 A.D. -- Fiction; Jews -- Fiction
The ancient city of Romulus had risen from her ashes like the fabled
phœnix, with renewed youth and beauty. So greatly was her appearance
altered, that Lucius Claudius knew not where to seek his ancestral home,
as, regardless of the directions of his attendants and the proffered
guidance of Sabinus, he wandered on bewildered and amazed amongst
sumptuous edifices and streets of palaces. All indeed seemed new to his
eyes and heart. It was no longer the city founded by the Latian twin,
and rebuilt by Camillus, that he beheld, but the palace of Nero Cæsar,
the master of the world. She looked indeed more like the metropolis of a
mighty empire, though her real greatness had vanished with her ancient
simplicity and virtue. Even in the midst of her grandeur and
magnificence she was tottering to her fall, for her deep corruptions
were gradually unbarring her gates to the Goths of future ages. All that
was beautiful or venerable in her customs was gone “as a tale that is
told,” and the martial form of the military tribune, the worthy
representative of her illustrious sons, seemed as out of keeping with
the pomp that surrounded him on every side, as the appearance would have
been of one of his own warlike ancestors. The dominion of Rome indeed
was departing, for a highway for the promulgation of the gospel had been
opened by her armies to all lands—for which end alone she had been
given rule over the nations of the earth. Neither the heathen nor the
Hebrew perceived this. To Lucius Claudius the name of Rome was
synonymous of victory and power; to him she was sempiternal and
invincible, while to Adonijah she appeared only a magnificent prison,
within whose walls he was destined to waste away his life, the living
grave indeed of hope. Still, the curiosity inherent in human nature made
him suddenly ask the meaning of a sad procession they encountered near
the Forum.
Sabinus replied, “Some Roman citizen is led to execution, attended by
the lictors with their fasces. See, the axe before him denotes that it
is no slave about to suffer, but a person entitled to the privileges of
the free. A Christian, I should think, by his dress and bearing. If I
mistake not, Nymphidius and Tigellinus, the præfects of the prætorian
camp, are present, both low-born upstarts and favourites of Nero; the
first, the son of Nymphidia by Caius Cæsar,[7] as he would have it
thought, and many think his person bears a strong resemblance to that
frantic emperor: in cruelty he certainly can claim a kindred
disposition. The victim is unknown to me, but his venerable face
expresses goodness, now become a crime in Rome.”
Public-domain text, read in full here on John Shaqi.
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