Adonijah: A Tale of the Jewish Dispersion.Strickland, Jane Margaret
History
Adonijah: A Tale of the Jewish Dispersion.
Strickland, Jane Margaret
Jerusalem -- History -- Fiction; Jerusalem -- History -- Siege, 70 A.D. -- Fiction; Jews -- Fiction
Within the bounds of the garden stood a ruined fane, whose orbicular
form showed it had been formerly dedicated to the worship of Vesta; but
though time had exerted its power, and levelled many of its pillars to
their base, nature, with gentler hand, had wreathed them round with ivy,
and bade fair flowers spring up to veil the work of her destroying foe.
Among these broken columns, now garlanded with blossoms, and breathing
out perfume to the passing gale, Adonijah had found a retreat from the
heat of day and bustle of the household, and here retired from man, bent
his knee before his God, or perused those wondrous records of His power
and love preserved in the Scriptures. Thither at noon, one day, he
withdrew to offer up his prayers, but stepped aside when about to enter
the roofless oratory, on perceiving it to be already occupied by the
priestess of Vesta. She was kneeling with her face towards the meridian
sun, though her eyes were cast upon the ground, seemingly absorbed in
deep meditation. Sometimes, as if unconsciously, some low sweet words
escaped from her lips, but though Adonijah held in his breath, that he
might not lose a word, the sound alone reached his ears. Suddenly she
held up a triangular instrument towards the orb of day, and directed the
solar ray towards a vessel of a curious form, containing combustibles.
As the flame descended into the receiver, the devotion of the vestal
soared into enthusiasm. A brighter glow suffused her fair cheek, and she
bent over the heaven-kindled fire with rapturous adoration that seemed
to absorb her whole being.
The long white stola, purple-bordered mantle, and snowy head-dress,
accorded well with Lucia Claudia’s beauty, which was at once sublime and
touching in its character. Nothing could be more graceful than her
attitude, or more holy than the expression of her face. It was piety
that lighted up every perfect feature—piety which, though mistaken in
its object, still looked beautiful in her, while the red parted lip
seemed rather formed to pour forth the praises of the living God, than
to offer up sinful prayers to the element He had created.
Adonijah beheld these impious rites with unfeigned horror; he no longer
saw in the person of Lucia Claudia the beautiful and beloved object of
his secret affections, but an idolatrous heathen priestess, practising
abhorrent ceremonies, offering up unholy worship in the very front of
day. Reckless alike of consequences or the difference fortune had placed
between them, and only jealous of the honour of the living God, Adonijah
rushed forward, dashed the vessel over, and scattered the fire upon the
ground, exclaiming in a terrible tone, “Idolatress, what are you doing?
How dare you offer to the creature that worship which is due to the
Creator alone?”
Public-domain text, read in full here on John Shaqi.
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