Adonijah: A Tale of the Jewish Dispersion. — John Shaqi
Adonijah: A Tale of the Jewish Dispersion.Strickland, Jane Margaret
History
Adonijah: A Tale of the Jewish Dispersion.
Strickland, Jane Margaret
Jerusalem -- History -- Fiction; Jerusalem -- History -- Siege, 70 A.D. -- Fiction; Jews -- Fiction
The stern voice, the act of violence, dispelled the trance of devotion
into which the priestess of Vesta had fallen. All the proud blood of her
proud line seemed to mantle in her face and flash from her eyes as she
sprang up, and, confronting the intruder, turned upon him a look in
which horror, indignation, and amazement were all blended, crying, as
she rent her garments, “Sacrilegious stranger, your death alone can
atone this impious deed! The gods, the gods, will punish your impiety!”
“Maiden, I invoke their fury, open my bosom to the wrath of Heaven, but
lo! their thunders sleep. Thy goddess does not deign to vindicate her
cause. She cannot, Lucia, for she has no being. The God I worship, Lucia
Claudia, is a spirit immortal and invisible, seen with the eye of faith
alone, whose throne is in the highest heaven. The fire thou worshippest
is but an element formed by Him for the service of man, of whom He is
the great Creator. The bright sun himself we call by a name signifying a
servant.”
“The laws will do me justice, insulting Hebrew!” replied the vestal, not
deigning to attend to his speech.
“Denounce me, if you will; yet hear me, Lucia Claudia, before you give
me up to certain death.”
“Release me, slave! Even to grasp my robes is sacrilege. Pursue your
cold inexplicable faith, but leave me to follow mine in peace.”
“I cannot leave you, Lucia Claudia, in darkness and idolatry to provoke
the anger of the living God, for I love you too well to overlook your
sin; yes, daughter of this strange heathen land, I love you, and would
save your soul from ruin.” He sank at her feet, still grasping her
garments, while he regarded her with eyes full of grief and hopeless
passion.
“Release me, Adonijah!” repeated the vestal, but in a milder tone, and
the Hebrew perceived that she trembled. “Go, Adonijah; I wish not your
death. Strange to the customs of this land, you know not the penalty you
have incurred in daring to lift your eyes to a vestal virgin.”
“I know it, Lucia Claudia, but I fear not to die; death may have terrors
for the unbeliever, may be dreaded by the happy, but to the Hebrew
captive it will only open a higher, nobler existence. Idolatress, my
heart bleeds for you; I see you gentle, fair, and good, a creature
formed for truth, yet misleading men to falsehood, the victim of a
fraud, alike deceiving and deceived. Why were you not a daughter of my
people? then you had worshipped the great Jehovah, nor lent yourself
unto a lie. Then it had been no crime to love you; now it is deadly
sin.”
The priestess made no reply; she renewed her efforts to escape, and
Adonijah did not attempt to detain her. Silently he watched the
fluttering of her white garments as if every sense were locked up in
sight, and when her form was no longer visible, caught up the triangular
instrument she had dropped in her hasty retreat and put it into his
bosom, though he really believed it to be a magical instrument; so
inconsistent often is the conduct of a lover.
Public-domain text, read in full here on John Shaqi.
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