And in his response to this discourse, M. Vitet (1802-1873) thus
eulogized the remarkable inventive genius of Scribe.--“Il y avait chez
Scribe une faculté puissante et vraiment supérieure qui lui assurait et
qui m’explique cette suprématie sur le théâtre de son temps. C’était un
don d’invention dramatique que personne avant lui peut-être n’avait
ainsi possédé: le don de découvrir à chaque pas, presque à propos de
rien, des combinaisons théâtrales d’un effet neuf et saisissant; et de
les découvrir, non pas en germe seulement ou à peine ébauchées, mais en
relief, en action, et déjà sur la scène. Pendant le temps qu’il faut à
ses confrères pour préparer un plan, il en achève plus de quatre; et
jamais il n’achète aux dépens de l’originalité cette fécondité
prodigieuse. Ce n’est pas dans un moule banal que ses fictions sont
jetées. S’il a ses secrets, ses méthodes, jamais il n’en sert de la même
façon. Pas un de ses ouvrages qui n’ait au moins son grain de
nouveauté.... Scribe avait le génie de l’invention dramatique.”
Finally, though Scribe is not generally accorded the rank of a great
author, it must be acknowledged that he was one of the world’s greatest
dramatic entertainers.
* * * * *
Ernest Legouvé was born at Paris in 1807. His father was
Gabriel-Marie-Jean-Baptiste Legouvé (1764-1812), a French poet. Ernest
Legouvé was a littérateur and dramatist. His best known plays, written
in collaboration with Scribe, are _Adrienne Lecouvreur_ (1849) and _La
Bataille de dames_ (1851). Legouvé died in 1903.
ADRIENNE LECOUVREUR
“Ici l’on rend hommage à l’actrice admirable,
Par l’esprit, par le cœur également aimable.
Un talent vrai, sublime en sa simplicité.
L’appelait, par nos vœux, à l’immortalité.”
D’ARGENTAL, 1786.
Adrienne Lecouvreur, one of the most talented actresses in the history
of the French stage, was born, according to the parish records, at
Damery, near Épernay, in Champagne, on April fifth, 1692. Her father was
Robert Couvreur and her mother Marie Bouly.
When ten years of age, she came with her parents to Paris. She
manifested very early a marked talent in recitation which soon attracted
wide and favorable attention. Her first attempts at acting were
decidedly successful.
Having received very careful theatrical training from Le Grand, she was
engaged, in 1708, by Mlle. Fonpré, directress of the theater of Lille,
to play at that theater. Later she became the leading actress of the
theater of Lunéville, and it is thought that she played also at Metz.
In 1711 she was first actress of the theater of Strassburg and had
become very popular.
Public-domain text, read in full here on John Shaqi.
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