But, with some imperfections, this is a sound edition--sadly
needed--of one of the most brilliant lyrical writers of his time. It
contains a charming portrait; and the editor's enthusiasm, when it
does not lead him too far, is also charming.
"ROBINSON CRUSOE"
April 13, 1895. Robinson Crusoe.
Many a book has produced a wide and beneficent effect and won a great
reputation, and yet this effect and this reputation have been
altogether wide of its author's aim. Swift's _Gulliver_ is one
example. As Mr. Birrell put it the other day, "Swift's gospel of
hatred, his testament of woe--his _Gulliver_, upon which he expended
the treasures of his wit, and into which he instilled the concentrated
essence of his rage--has become a child's book, and has been read with
wonder and delight by generations of innocents."
How far is the tale a parable?
Generations of innocents in like manner have accepted _Robinson
Crusoe_ as a delightful tale about a castaway mariner, a story of
adventure pure and simple, without sub-intention of any kind. But we
know very well that Defoe in writing it intended a parable--a parable
of his own life. In the first place, he distinctly affirms this in
his preface to the _Serious Reflections_ which form Part iii. of his
great story:--
"As the design of everything is said to be first in the
intention, and last in the execution, so I come now to
acknowledge to my reader that the present work is not merely a
product of the two first volumes, but the two first volumes may
rather be called the product of this. The fable is always made
for the moral, not the moral for the fable...."
He goes on to say that whereas "the envious and ill-disposed part of
the world" have accused the story of being feigned, and "all a
romance, formed and embellished by invention to impose upon the
world," he declares this objection to be an invention scandalous in
design, and false in fact, and affirms that the story, "though
allegorical, is also historical"; that it is
"the beautiful representation of a life of unexampled
misfortunes, and of a variety not to be met with in the world,
sincerely adapted to and intended for the common good of mankind,
and _designed at first_, as it is now further applied, to the
most serious use possible. Farther, that there is a man alive,
and well known too, the actions of whose life are the just
subject of these volumes, _and to whom all or most part of the
story most directly alludes_; this may be depended upon, for
truth, and to this I set my name."
Public-domain text, read in full here on John Shaqi.
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