Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
eyes, produces a startling effect and turns our head. But if nature has
only intended him for a _dilettante_, difficulties damp his impotent
zeal, and one of two things happens: either he abandons, if he is
modest, that to which he was diverted by a mistaken notion of his
vocation; or, if he has no modesty, he brings back the ideal to the
narrow limits of his faculties, for want of being able to enlarge his
faculties to the vast proportions of the ideal. Thus the true genius of
the artist will be always recognized by this sign—that when most
enthusiastic for the whole, he preserves a coolness, a patience defying
all obstacles, as regards details. Moreover, in order not to do any
injury to perfection, he would rather renounce the enjoyment given by
the completion. For the simple amateur, it is the difficulty of means
that disgusts him and turns him from his aim; his dreams would be to
have no more trouble in producing than he had in conception and
intuition.
I have spoken hitherto of the dangers to which we are exposed by an
exaggerated sensuousness and susceptibility to the beautiful in the
form, and from too extensive æsthetical requirements; and I have
considered these dangers in relation to the faculty of thinking and
knowing. What, then, will be the result when these pretensions of the
æsthetical taste bear on the _will_? It is one thing to be stopped in
your scientific progress by too great a love of the beautiful, another
to see this inclination become a cause of degeneracy in character
itself, and make us violate the law of duty. In matters of thought the
caprices of “taste” are no doubt an evil, and they must of necessity
darken the intelligence; but these same caprices applied to the maxims
of the will become really _pernicious_ and infallibly deprave the heart.
Yet this is the dangerous extreme to which too refined an æsthetic
culture brings us directly we abandon ourselves exclusively to the
feelings for the beautiful, and directly we raise taste to the part of
absolute lawgiver over our will.
The moral destination of man requires that the will should be completely
independent of all influence of sensuous instincts, and we know that
taste labors incessantly at making the link between reason and the
senses continually closer. Now this effort has certainly as its result
the ennobling of the appetites, and to make them more conformable with
the requirements of reason; but this very point may be a serious danger
for morality.
Public-domain text, read in full here on John Shaqi.
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