Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"Schiller, Friedrich
Philosophy
Aesthetical and philosophical essays : $b introducing the dissertation on the "connection between the animal and spiritual man"
Schiller, Friedrich
Aesthetics; Philosophy
I proceed to explain my meaning. A very refined æsthetical education
accustoms the imagination to _direct itself according to laws, even in
its free exercise_, and leads the sensuous not to have any enjoyments
without the concurrence of reason; but it soon follows that reason, in
its turn, is required to be directed, even in the most _serious
operations of its legislative power, according to the interests of
imagination_, and to give no more orders to the will without the consent
of the sensuous instincts. The moral obligation of the will, which is,
however, an absolute and unconditional law, takes unperceived the
character of a simple contract, which only binds each of the contracting
parties when the other fulfils its engagement. The purely _accidental_
agreement of duty with inclination ends by being considered a
_necessary_ condition, and thus the principle of all morality is
quenched in its source.
How does the character become thus gradually depraved? The process may
be explained thus: So long as man is only a savage, and his instincts
only bear on material things and a coarse egotism determines his
actions, sensuousness can only become a danger to morality by its _blind
strength_, and does not oppose reason except as a _force_. The voice of
justice, moderation, and humanity is stifled by the appetites, which
make a stronger appeal. Man is then terrible in his vengeance, because
he is terribly sensitive to insults. He robs, he kills, because his
desires are still too powerful for the feeble guidance of reason. He is
towards others like a wild beast, because the instinct of nature still
rules him after the fashion of animals.
But when to the savage state, to that of nature, succeeds civilization;
when taste ennobles the instincts, and holds out to them more worthy
objects taken from the moral order; when culture moderates the brutal
outbursts of the appetites and brings them back under the discipline of
the beautiful, it may happen that these same instincts, which were only
dangerous before by their _blind power_, coming to assume an air of
_dignity_ and a certain _assumed authority_, may become more dangerous
than before to the morality of the character; and that, under the guise
of innocence, nobleness, and purity, they may exercise over the will a
tyranny a hundred times worse than the other.
The man of taste willingly escapes the gross thraldom of the appetites.
He submits to reason the instinct which impels him to pleasure, and he
is willing to take counsel from his spiritual and thinking nature for
the choice of the objects he ought to desire. Now, reason is very apt to
mistake a _spiritualized_ instinct for one of its _own_ instincts, and
at length to give up to it the guidance of the will, and this in
proportion as moral judgment and æsthetic judgment, the sense of the
good and the sense of the beautiful, meet in the same object and in the
same decision.
Public-domain text, read in full here on John Shaqi.
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