Nietzsche occupied his chair at Basel for some years longer; in 1880
his health forced him to resign and he was liberally pensioned. As
a professor he treated the most difficult questions of Greek study,
and devoted his chief attention to his best pupils, who in their turn
adored him. Basel is an admirable residence for a cosmopolitan thinker;
it was easy for Nietzsche to keep in touch with all that went on from
Paris to St. Petersburg. He was also on terms of more or less intimate
friendship with the finest spirits in Switzerland, with Keller the
novelist, Böcklin the painter, Burckhardt the historian. We are told
that he was a man of great personal charm in social intercourse. But
his associates at Basel never suspected that in this courteous and
amiable professor was stored up an explosive energy which would one
day be felt in every civilised land. With pen in hand his criticism of
life was unflinching, his sincerity arrogant; when the pen was dropped
he became modest, reserved, almost timorous.
The work he produced between 1877 and 1882 seems to me to represent the
maturity of his genius. It includes _Menschliches, Allzumenschliches_,
_Morgenröthe_, and _Die Fröhliche Wissenschaft_. In form all these
volumes belong to _pensée_ literature. They deal with art, with
religion, with morals and philosophy, with the relation of all
these to life. Nietzsche shows himself in these _pensées_ above all
a freethinker, emancipated from every law save that of sincerity,
wide-ranging, serious, penetrative, often impassioned, as yet always
able to follow his own ideal of self-restraint.
After leaving Basel he spent the following nine years chiefly at health
resorts and in travelling. We find him at Sorrento, Venice, Genoa,
Turin, Sils Maria, as well as at Leipzig. Doubtless his fresh and
poignant _pensées_ are largely the outcome of strenuous solitary
walks in the Engadine or among the Italian lakes. We may assume that
during most of these years he was fighting, on the whole successfully
fighting, for mental health. Yet passages that occur throughout his
books seem to suggest that his thoughts may have sometimes turned
to the goal towards which he was tending. It is a mistake, he points
out, to suppose that insanity is always the symptom of a degenerating
culture, although to nod towards the asylum is a convenient modern way
of slaying spiritual tyrants; it is in primitive and developing stages
of culture that insanity has played its chief part; only by virtue of
what seemed to be the “Divine” turbulence of insanity and epilepsy
could any new moral law make progress among early cultures. Just as
for us there seems a little madness in all genius, so for them there
seemed a little genius in all madness; sorcerers and saints agonised
in solitude and abstinence for some gleam of madness which would bring
them faith in themselves and openly justify their mission.
Public-domain text, read in full here on John Shaqi.
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