First and foremost it is their versatility, which so agreeably
diversifies both their customs, and their institutions. It is this,
which makes the history of their country resemble some surprising tale
of adventure in a _feuilleton,_ of which the pages "to be continued
in the next number," are full of the most unexpected events, tragic,
comic, terrible, grotesque. One may be angry or indignant over it,
according to one's way of thinking, but it is none the less certain
that no history in the world is more amusing, and more stirring than
theirs.
From the pure art point of view--and why should one not admit this
special, and disinterested point of view, in politics as well as in
literature?--it remains without a rival. What can be more curious, and
more surprising, than the events which have been accomplished in the
last century?
What will to-morrow bring forth? This expectation of the unforeseen is,
after all, very charming. Everything is possible in France, even the
most wildly improbable drolleries, and the most tragic adventures.
What could surprise them? When a country has produced a Joan of Arc,
and a Napoleon, it may well be considered miraculous ground.
And then the French love women: they love them well, with passion and
with airy grace, and with respect.
Their gallantry cannot be compared to anything in any other country.
He who has preserved in his heart, the flame of gallantry which burned
in the last centuries, surrounds women with a tenderness at once
profound, gentle, sensitive and vigilant. He loves everything that
belongs to them; everything that comes from them, everything that they
are; everything they do. He loves their toilette, their knick-knacks,
their adornments, their artifices, their _naïvetés,_ their little
perfidies, their lies and their dainty ways. He loves them all, rich as
well as poor, the young and even the old, the dark, the fair, the fat,
the thin. He feels himself at his ease with them, and amongst them.
There he could remain indefinitely, without fatigue, without _ennui,_
happy in the mere fact of being in their presence.
He knows how, from the very first word, by a look, by a smile, to
show them that he adores them, to arouse their attention, to sharpen
their wish to please, to display for his benefit all their powers of
seduction. Between them and him there is established at once, a quick
sympathy, a fellowship of instincts, almost a relationship through
similarity of character and nature.
Then begins between them and him a combat of coquetry, and gallantry;
a mysterious, and skirmishing sort of friendship is cemented, and an
obscure affinity of heart and mind is drawn closer.
Public-domain text, read in full here on John Shaqi.
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