He knows how to say what will please them, how to make them understand what he thinks; how to make known, without ever shocking them, without offending their delicate and watchful modesty, the admiration, discreet yet ardent, always burning in his eyes, always trembling on his lips, always alight in his veins. He is their friend and their slave, the humble servitor of their caprices, and the admirer of their persons. He is ever at their beck and call, ready to help them, to defend them, as secret allies. He would love to devote himself to them, not only to those he knows slightly, but to those he knows not at all, to those he has never even seen. He asks nothing of them but a little pretty affection, a little confidence, or a little interest, a little graceful friendliness or even, sly malice. He loves, in the street the woman who passes by, and whose glance falls upon him. He loves the young girl with hair streaming down her shoulders, who, a blue bow on her head, a flower in her bosom, moves with slow or hurried step, timid or bold eye, through the throng on the pavements. He loves the unknown ones he elbows, the little shopwoman who dreams on her doorstep, the fine lady who lazily reclines in her open carriage. From the moment he finds himself face to face with a woman, his heart is stirred, and his best powers are awakened. He thinks of her, talks for her, tries to please her, and to let her understand that she pleases him. Tender expressions hover on his lips, caresses in his glance; he is invaded by a longing to kiss her hand, to touch even the stuff of her dress. For him, it is women who adorn the world, and make life seductive. He likes to sit at their feet, for the mere pleasure of being there; he likes to meet their eye, merely to catch a glimpse of their veiled and fleeting thoughts; he likes to listen to their voice, solely because it is the voice of woman. It is by them, and for them, that the Frenchman has learnt to talk, and to display the ready wit which distinguishes him. To talk! What is it? It is the art of never seeming wearisome; of knowing how to invest every trifle with interest, to charm no matter what be the subject, to fascinate with absolutely nothing. How can one describe the airy butterfly touch upon things by supple words, the running fire of wit, the dainty flitting of ideas, which should all go to compose talk? The Frenchman is the only being in the world who has this subtle spirit of wit, and he alone thoroughly enjoys and comprehends it. His wit is a mere flash and yet it dwells; now the current joke, now the wit, which illumines the national literature. That which is truly innate, is wit in the largest sense of the word, that vast breath of irony or gaiety, which has animated the nation from the moment it could think or speak: it is the pungent raciness of Montaigne and Rabelais, the irony of Voltaire, of Beaumarchais, of Saint-Simon, and the inextinguishable laughter of Molière.