Arrived at Three Mile Cross, it was no surprise to find it no longer
recognizable as the hamlet described in Our Village, but it was
saddening to look at the cottage in which Mary Russell Mitford lived and
was on the whole very happy with her flowers and work for thirty years
of her life, in its present degraded state. It has a sign now and calls
itself the "Mitford Arms" and a "Temperance Hotel," and we were told
that you could get tea and bread and butter there but nothing else. The
cottage has been much altered since Miss Mitford's time, and the open
space once occupied by the beloved garden is now filled with buildings,
including a corrugated-iron dissenting chapel.
From Three Mile Cross we walked on to Swallowfield, still by those
never-ending roadside red-brick cottages and villas, for we were not yet
properly out of the hated biscuit metropolis. It was a big village with
the houses scattered far and wide over several square miles of country,
but just where the church stands it is shady and pleasant. The pretty
church yard too is very deeply shaded and occupies a small hill with the
Loddon flowing partly round it, then taking its swift way through the
village. Miss Mitford's monument is a plain, almost an ugly, granite
cross, standing close to the wall, shaded by yew, elm, and beech trees,
and one is grateful to think that if she never had her reward when
living she has found at any rate a very peaceful resting-place.
The sexton was there and told us that he was but ten years old when
Miss Mitford died, but that he remembered her well and she was a very
pleasant little woman. Others in the place who remembered her said the
same--that she was very pleasant and sweet. We know that she was sweet
and charming, but unfortunately the portraits we have of her do not
give that impression. They represent her as a fat common-place looking
person, a little vulgar perhaps. I fancy the artists were bunglers. I
possess a copy of a very small pencil sketch made of her face by a dear
old lady friend of mine, now dead, about the year 1851 or 2. My friend
had a gift for portraiture in a peculiar way. When she saw a face that
greatly interested her, in a drawing-room, on a platform, in the street,
anywhere, it remained very vividly in her mind and on going home she
would sketch it, and some of these sketches of well known persons are
wonderfully good. She was staying in the country with a friend who drove
with her to Swallowfield to call on Miss Mitford, and on her return to
her friend's house she made the little sketch, and in this tiny portrait
I can see the refinement, the sweetness, the animation and charm which
she undoubtedly possessed.
Public-domain text, read in full here on John Shaqi.
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