But let me now venture to step a little outside of my own province, my
small plot--a poor pedestrian's unimportant impressions of places and
faces; all these p's come by accident; and this I put in parenthetically
just because an editor solemnly told me a while ago that he couldn't
abide and wouldn't have alliteration's artful aid in his periodical. Let
us leave the subject of what Miss Mitford was to those of her day who
knew her; a thousand lovely personalities pass away every year and in a
little while are no more remembered than the bright-plumaged bird that
falls in the tropical forest, or the vanished orchid bloom of which some
one has said that the angels in heaven can look on no more beautiful
thing. Leaving all that, let us ask what remains to us of another
generation of all she was and did?
She was a prolific writer, both prose and verse, and, as we know, had an
extraordinary vogue in her own time. Anything that came from her pen had
an immediate success; indeed, so highly was she regarded that nothing
she chose to write, however poor, could fail. And she certainly did
write a good deal of poor stuff: it was all in a sense poor, but books
and books, poor soul, she had to write. It was in a sense poor because
it was mostly ambitious stuff, and, as the proverb says, "You cannot fly
like an eagle with the wings of a wren." She was driven to fly, and gave
her little wings too much to do, and her flights were apt to be mere
little weak flutterings over the surface of the ground. A wren, and
she had not a cuckoo but a devouring cormorant to sustain--that dear,
beautiful father of hers, who was more to her than any reprobate son to
his devoted mother, and who day after day, year after year, gobbled up
her earnings, and then would hungrily go on squawking for more until he
stumbled into the grave. Alas! he was too long in dying; she was worn
out by then, the little heart beating not so fast, and the bright little
brain growing dim and very tired.
Public-domain text, read in full here on John Shaqi.
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