Aesthetics -- Fiction; French fiction -- Translations into English
Exploring the suburbs of the capital, he found a place for sale at the
top of Fontenay-aux-Roses, in a secluded section near the fort, far
from any neighbors. His dream was realized! In this country place so
little violated by Parisians, he could be certain of seclusion. The
difficulty of reaching the place, due to an unreliable railroad
passing by at the end of the town, and to the little street cars which
came and went at irregular intervals, reassured him. He could picture
himself alone on the bluff, sufficiently far away to prevent the
Parisian throngs from reaching him, and yet near enough to the capital
to confirm him in his solitude. And he felt that in not entirely
closing the way, there was a chance that he would not be assailed by a
wish to return to society, seeing that it is only the impossible, the
unachievable that arouses desire.
He put masons to work on the house he had acquired. Then, one day,
informing no one of his plans, he quickly disposed of his old
furniture, dismissed his servants, and left without giving the
concierge any address.
Chapter 2
More than two months passed before Des Esseintes could bury himself in
the silent repose of his Fontenay abode. He was obliged to go to Paris
again, to comb the city in his search for the things he wanted to buy.
What care he took, what meditations he surrendered himself to, before
turning over his house to the upholsterers!
He had long been a connoisseur in the sincerities and evasions of
color-tones. In the days when he had entertained women at his home, he
had created a boudoir where, amid daintily carved furniture of pale,
Japanese camphor-wood, under a sort of pavillion of Indian rose-tinted
satin, the flesh would color delicately in the borrowed lights of the
silken hangings.
This room, each of whose sides was lined with mirrors that echoed each
other all along the walls, reflecting, as far as the eye could reach,
whole series of rose boudoirs, had been celebrated among the women who
loved to immerse their nudity in this bath of warm carnation, made
fragrant with the odor of mint emanating from the exotic wood of the
furniture.
Aside from the sensual delights for which he had designed this
chamber, this painted atmosphere which gave new color to faces grown
dull and withered by the use of ceruse and by nights of dissipation,
there were other, more personal and perverse pleasures which he
enjoyed in these languorous surroundings,--pleasures which in some way
stimulated memories of his past pains and dead ennuis.
Public-domain text, read in full here on John Shaqi.
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