With the morning light the might of the Devonshire memories grows
weaker; and, as the day advances, the Oxford ones resume their sway. How
can it be otherwise, when all day long he strays among the unaltered
buildings in the sweet sedate college gardens, down the familiar "High,"
where, six years ago, he could not take two steps without being hailed
by a jolly fresh voice, claiming his company for some new pleasure; but
where now he walks ungreeted, where the smooth-faced boys he meets, and
who strike him as so much more boyish than his own contemporaries had
done, pass him by indifferently, unknown to the whole two thousand as he
is. He feels a sort of irrational anger with them for not recognising
him, though they have never seen him before.
Yes, there is no place where a man is so quickly superannuated as in
Oxford. He is saying this to himself all day, is saying it still as he
strolls in the afternoon down Mesopotamia, to fill up the time before
the hour for college chapel. Yes, there is no place where men so soon
turn into ghosts. He has been knocking up against them all day at every
street-corner; they have looked out at him from every gray window in the
Quad at New--jovial, athletic young ghosts, so much painfuller to meet
than rusty, century-worn old ones. They are rather less plentiful in
Mesopotamia than elsewhere; perhaps, because in his day, as now,
Mesopotamia on Sundays was given over to the mechanic and the
perambulator. Oh, that Heaven would put it into the head of some
Chancellor of the Exchequer to lay a swingeing tax upon that
all-accursed vehicle! But not even mechanic and perambulator can hinder
Mesopotamia from being fair on a fine February day, when the beautiful
floods are out, the floods that the Thames Conservators and the Oxford
authorities have combined to put down, as they have most other beautiful
things within their reach. But they have not yet quite succeeded.
To-day, for instance, the floods are out in might.
Burgoyne is pacing along a brown walk, like a raised causeway, with a
sheet of white water on either hand, rolling strong ripples to the bank.
Gnarled willows stand islanded in the coldly argent water. A blackbird
is flying out of the bushes, with a surprised look at finding himself
turned into a sea-bird. No sun; an even sweep of dull silver to right
and left. No sun; and yet as he looks, after days of rain, the "_grand
décorateur_," as someone happily called him, rides out in royalty on a
cleared sky-field, turning the whole drenched country into
mother-of-pearl--a sheet of opal stretched across the drowned meadows;
the distance opal too, a delicate, dainty, evanescent loveliness
snatched from the ugly brown jaws of winter.
Public-domain text, read in full here on John Shaqi.
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