Burgoyne is leaning over the wooden bridge beneath which, in its normal
state, the water of the lasher rushes down impetuously; but it is now
raised to such a height that it lies level, almost flush with the
planking. He is staring across the iridescent water-plain to where, in
the poetic atmosphere of sun and mist, dome, and schools and soaring
spires stand etherealized.
"Dear old place!" he says, under his breath, "everybody is dead; and I
am dead; and Brown is deader than anyone. I am glad that you, at least,
are still alive!"
Are these more ghosts coming round the corner? A man and a woman ghost
strolling along, and looking about them as strangers look. When they are
within a pace or two of him the woman says something--something about
the floods--to her companion, and at the sound Burgoyne starts.
"She did not speak last night; if she had spoken I should have known her
at once. She always had such a sweet voice."
He raises his arms from the bridge-top, and, turning, meets them face to
face, eye to eye, and in an instant he has seen that both recognise him.
At the same instant he is aware of a simultaneous inclination on the
part of man and wife to avert their heads, and pass him without claiming
his acquaintance. Perhaps, if he had had time to reflect, he would have
allowed them to do so, but the impulse of the moment forbids it. Why
should they wish to cut him? What has he done to deserve it? Ten years
ago, they were his very good friends, and he was the familiar comrade of
their children, the daily guest at their table. What has the unavoidable
lapse of those years done to make him less fit for their company at
twenty-nine than he was at nineteen? There must be some misconception,
which a moment will set right.
"I am afraid that you do not remember me, Mrs. Le Marchant," he says,
lifting his hat.
This is not quite true, as he is perfectly convinced that they are as
much aware of his identity as he is of theirs. But what formula has a
man to employ in such a case? They both look back at him with a sort of
irresolution. To his astonishment, in their eyes is a velleity of
flight, but apparently she--women's minds moving more quickly than
men's--is the first to realize that flight is out of the question.
"I am sure that you have no intention of cutting me," Jim goes on, with
a smile, seeing that she is apparently struggling with a difficulty in
utterance; "at least, you must be very much changed from what you were
ten years ago if you have. My name is----"
"I know--I know!" she interrupts, finding speech at last--speech low and
hurried. "I remember perfectly. You are Mr. Burgoyne."
Public-domain text, read in full here on John Shaqi.
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