Her confusion--she used always to be such a placid, even-mannered
woman--is so patent, born of whatever unaccountable feeling it may be,
that he now heartily wishes he had let the poor woman pass unmolested.
But such repentance is too late. He has arrested her; she is standing on
the gravel path before him, and though he feels that her extraordinary
shyness--_mauvaise honte_, whatever it may be--has infected himself, he
must make some further remark to her. Nothing better occurs to him than
the obvious one:
"It is a long time--it is ten years since we met."
"Yes, ten years; it must be quite ten years," she assents, evidently
making a great effort to regain composure.
She does not feign the slightest pleasure in the meeting, and Burgoyne
feels that the one thought that occupies her mind is how she can soonest
end it. But his roused curiosity, together with the difficulty of
parting without further observation after having forced his presence
upon them, combine to prevent her succeeding.
"And how is the Moat?" he asks, reflecting that this, at least, is a
safe question; a brick and mortar house, at all events, cannot be dead.
"How is Devonshire?"
Apparently it is not so harmless a question as he had imagined; at
least, Mrs. Le Marchant is obviously quite incapable of answering it.
Her husband, for the first time, comes to her rescue.
"The Moat is let," he says, in a dry voice; "we have left Devonshire a
long while--nine, nine and a half years ago."
The Moat let! Judging by the light of Burgoyne's recollections, it would
have seemed less surprising to him to hear that Windsor Castle had been
turned into a Joint Stock Company Hotel. It is probably, then, some
money trouble that has turned Mrs. Le Marchant's hair white--snow white,
as he now sees it to be. But no; he rejects the explanation as
insufficient. She is not the woman to have taken a diminished income so
much to heart.
Good manners forbid him to ask, "Why is the Moat let?" so all that he
says is, "Nine and a half years ago? Why, that must have been very soon
after I left Devonshire."
He addresses his remark involuntarily rather to the wife than the
husband, but she does not answer it. Her eyes are fixed upon the bubbles
sailing so fast upon the swollen river, which is distinguishable only by
its current from the sameness of the surrounding water. A lark--there is
always a lark in Mesopotamia--a tiny, strong-throated singer, that never
seems to have to stop to take breath, fills up the silence, shouting
somewhere out of sight among the black clouds, in and out of which the
uncertain sun is plunging. Whether of a moneyed nature or not, there is
evidently something very unpleasant connected with their leaving their
native county and their immemorial home, so he had better get away from
the subject as fast as possible.
Public-domain text, read in full here on John Shaqi.
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