A sudden instinct, with which his will has nothing to do, makes him
flash a look back at Mrs. Le Marchant, as if to gauge the effect
produced upon her by his betrothed; and, following her glance, he finds
that it is resting on Cecilia. She thinks that he is engaged to Cecilia.
The mistake is intolerable to him, and yet a second's reflection tells
him that it is a natural one. In a second he sees his Amelia as she
presents herself to a strange eye. Miss Wilson is only thirty-one, but
upon her has already come that set solid look of middle age, which
overtakes some women before they are well over the borders of youth, and
which other women manage to stave off till they are within near hail of
forty. Yes; the mistake is quite a natural one. Most people would
suppose that the showy Cecilia, still fairly youthful, and with so many
obvious and well-produced "points," must be his choice; and yet, as I
have said, the idea that anyone should credit him with her ownership is
intolerable to him.
"Here she is!" he cries precipitately. "The one to the right side, the
other is her sister; may I--may I present them to you?"
Perhaps it is his irritated fancy that dictates the idea, but it seems
to him as if he detected a sort of surprise in Mrs. Le Marchant's face,
when he effects the introduction he has proposed, and to which she
accedes courteously, after a pause of hesitation about as long as had
followed his inquiry of Elizabeth as to their address.
Five minutes later they have all sauntered out again on the terrace, and
Burgoyne is again leaning on the wall; but this time he has no fear of
hearing of Bayswater, for it is Elizabeth who is beside him. Since last
he looked at it half an hour ago, a sort of glorification has passed
over the divine view. Down where the river twists through the plain
country, there is a light, dainty mist, but the mountains have put on
their fullest glory. They are not green, or brown, or purple, or blue;
but clad in that ineffable raiment woven by the sun, that defies our
weak vocabulary to provide it with a name. A little snow-chain lies on
the sun-warmed neck of Morello, and along the tops of the further
Apennines, right against the acute blue of the heavens, lies a line of
snow, that looks like a fleece-soft cloud resting from its journeyings
on their crests; but it is no cloud, nor is there any speck upon the
gigantic complete arch that over-vaults town and valley and radiant
mountains. In the folds of these last, the shadows slumber; but over all
the city is the great gold glory of spring. The one thing in Florence
that frowns among so many smiles is the scowling Pitti, and that, from
here, is invisible. Nearer to him, against the azure, stand the solemn
flame-shaped cypresses arow, and beside them--as unlike as life to
death--a band of quivering poplars, a sort of transparent gold-green in
their young spring livery. The air is so clear that one can go nigh to
counting the marbles on the Duomo walls.
Public-domain text, read in full here on John Shaqi.
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