In a more transparent amber
light, fuller of joy and gaiety, cannot the saved be dancing around, as
in Fra Angelico's divine picture? cannot they be walking in the New
Jerusalem of St. John's great dream? Only in the New Jerusalem there are
no galled and trembling-kneed fiacre horses.
Elizabeth is sitting on the wall, her light figure--is it possible that
it has been in the world only four years less than Amelia's solid
one?--half-supported by one small gray hand outspread on the stone; her
little fine features all tremulous with emotion, and half a tear
gathered again in each sweet eye. As Jim looks at her, a sort of cold
covetous gripe pinches his heart.
"What a woman with whom to look at all earth's loveliness--with whom to
converse without speech!"
Even as he so thinks, she turns her head towards him, and, drawing in
her breath with a long low sigh, says:
"Oh, how glad I am I did not die before to-day!"
Her eyes are turned towards him, and yet, as once before, he realizes
that it is not to him that either her look or her thoughts are directed.
Both are aimed at an object over his shoulder, and, as before, that
object is Byng. Byng, too, has been gazing at the view. There are tears
in Byng's eyes also. Stevenson says that some women like a man who
cries. Byng cries easily and genuinely, and enjoys it; and, as he is a
remarkably fine young man, there is something piquant in the contrast
between his wet blue orbs and his shoulders.
As Burgoyne rolls home that afternoon in his fiacre, as before, placed
opposite Amelia, his mental vision is no longer fixed upon a
"double-barrelled, central fire, breech-loading gun;" it is fixed with a
teasing tenacity upon the figure of a smallish woman, perennially
looking, through brilliant tears, over his shoulder at somebody else.
CHAPTER IX.
"Was it 12, or 12 bis, Piazza d'Azeglio?"
There are no tears in Byng's eyes as he asks this question next
morning--asks it of his friend, as the latter sits in the Fumoir, with
an English paper in his hands, and a good cigar between his clean-shaven
lips. It has struck him several times lately that he will have to give
up good cigars, and take to a churchwarden pipe and shag instead. But,
so far, the churchwarden and the shag remain in the future.
"12, or 12 bis, Piazza d'Azeglio?" inquires Byng.
"Was _what_ 12 or 12 bis?" replies his friend, with a somewhat obviously
intentional obtuseness; but Byng is far too thoroughly healthy and happy
a young animal this morning to take offence easily.
"I mean Miss Le Marchant's address," he answers, explaining as amiably
as if he had not been perfectly aware that it was only "cussedness" that
had dictated the query.
Public-domain text, read in full here on John Shaqi.
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