There are several reasons which may possibly have led Dürer to visit Venice in 1505. The Fondaco dei Tedeschi, or Exchange of the German Merchants at Venice, had been burned down the winter before, and they were in haste to complete a new one. Dürer may have received assurance that the commission to paint the altar-piece for the new chapel would be his did he desire it. At any rate he seems to have set to work on such a picture almost as soon as he arrived there. It is strange to think that Giorgione and Titian probably began to paint the frescoes on the facade while he was still at work in the chapel, or soon after he left. The plague broke out in Nuremberg before he came away; but this is not likely to have been his principal motive for leaving home, as many richer men, such as his friend Pirkheimer, from whom he borrowed money for the journey, stayed where they were. Nor do Dürer's letters reveal any alarm for his friend's, his mother's, his wife's, or his brother's safety. He took with him six small pictures, and probably a great number of prints, for Venice was a first-rate market. II The letters which follow are like a glimpse of a distant scene in a _camera obscura_, and, like life itself, they are full of repetitions and over-insistence on what is insignificant or of temporary interest. To-day they call for our patience and forbearance, and it will depend upon our imaginative activity in what degree they repay them; even as it depends upon our power of affectionate assimilation in what degree and kind every common day adds to our real possessions. I have made my citations as ample as possible, so as to give the reader a just idea of their character while making them centre as far as possible round points of special interest. _To the honourable, wise Master Wilibald Pirkheimer, Burgher of Nürberg, my kind Master_. VENICE, _January 6, 1506._ I wish you and yours many good, happy New Years. My willing service, first of all, to you dear Master Pirkheimer! Know that I am in good health; I pray God far better things than that for you. As to those pearls and precious stones which you gave me commission to buy, you must know that I can find nothing good or even worth its price. Everything is snapped up by the Germans who hang about the Riva. They always want to get four times the value for anything, for they are the falsest knaves alive. No one need look for an honest service from any of them. Some good fellows have warned me to beware of them, they cheat man and beast. You can buy better things at a lower price at Frankfurt than at Venice. [Illustration: Wilibald Pirkheimer--Charcoal Drawing, Dumesnil Collection, Paris _Face p._ 80]