About the books which I was to order for you, the Imhofs have already
seen after them; but if there is anything else you want, let me know and
I will attend to it for you with all zeal. Would to God I could do you a
right good service! gladly would I accomplish it, seeing, as I do, how
much you do for me. And I pray you be patient with my debt, for indeed I
think much oftener of it than you do. When God helps me home I will
honourably repay you with many thanks; for I have a panel to paint for
the Germans for which they are to pay me a hundred and ten Rhenish
florins--it will not cost me as much as five. I shall have scraped it and
laid on the ground and made it ready within eight days; then I shall at
once begin to paint and, if God will, it shall be in its place above the
altar a month after Easter.
* * * * *
VENICE, _February 17_, 1506.
How I wish you were here at Venice! There are so many nice men among the
Italians who seek my company more and more every day--which is very
pleasing to one--men of sense and knowledge, good lute-players and
pipers, judges of painting, men of much noble sentiment and 'honest
virtue, and they show me much honour and friendship. On the other hand
there are also amongst them some of the most false, lying, thievish
rascals; I should never have believed that such were living in the
world. If one did not know them, one would think them the nicest men the
earth could show. For my own part I cannot help laughing at them
whenever they talk to me. They know that their knavery is no secret but
they don't mind.
Amongst the Italians I have many good friends who warn me not to eat and
drink with their painters. Many of them are my enemies and they copy my
work in the churches and wherever they can find it; and then they revile
it and say that the style is not _antique_ and so not good. But Giovanni
Bellini has highly praised me before many nobles. He wanted to have
something of mine, and himself came to me and asked me to paint him
something and he would pay well for it. And all men tell me what an
upright man he is, so that I am really friendly with him. He is very
old, but is still the best painter of them all. And that which so well
pleased me eleven years ago pleases me no longer, if I had not seen it
for myself I should not have believed any one who told me. You must know
too that there are many better painters here than Master Jacob (Jacopo
de' Barbari) is abroad (_wider darvsen Meister J._), yet Anton Kolb
would swear an oath that no better painter lives than Jacob. Others
sneer at him, saying if he were good he would stay here, and so forth.
I have only to-day begun to sketch in my picture, for my hands were so
scabby (_grindig_) that I could do no work with them, but I have got
them cured.
Public-domain text, read in full here on John Shaqi.
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