Rodolphe, leaning against the door-post, looked at the Princess, turning on her the fixed, tenacious, attracting gaze, charged with the full, insistent will which is concentrated in the feeling called desire, and thus assumes the nature of a vehement command. Did the flame of that gaze reach Francesca? Was Francesca expecting each instant to see Rodolphe? In a few minutes she stole a glance at the door, as though magnetized by this current of love, and her eyes, without reserve, looked deep into Rodolphe’s. A slight thrill quivered through that superb face and beautiful body; the shock to her spirit reacted: Francesca blushed! Rodolphe felt a whole life in this exchange of looks, so swift that it can only be compared to a lightning flash. But to what could his happiness compare? He was loved. The lofty Princess, in the midst of her world, in this handsome villa, kept the pledge given by the disguised exile, the capricious beauty of Bergmanns’ lodgings. The intoxication of such a moment enslaves a man for life! A faint smile, refined and subtle, candid and triumphant, curled Princess Gandolphini’s lips, and at a moment when she did not feel herself observed she looked at Rodolphe with an expression which seemed to ask his pardon for having deceived him as to her rank. When the song was ended Rodolphe could make his way to the Prince, who graciously led him to his wife. Rodolphe went through the ceremonial of a formal introduction to Princess and Prince Colonna, and to Francesca. When this was over, the Princess had to take part in the famous quartette, _Mi manca la voce_, which was sung by her with Tinti, with the famous tenor Genovese, and with a well-known Italian Prince then in exile, whose voice, if he had not been a Prince, would have made him one of the Princes of Art. “Take that seat,” said Francesca to Rodolphe, pointing to her own chair. “_Oime_! I think there is some mistake in my name; I have for the last minute been Princess Rodolphini.” It was said with the artless grace which revived, in this avowal hidden beneath a jest, the happy days at Gersau. Rodolphe reveled in the exquisite sensation of listening to the voice of the woman he adored, while sitting so close to her that one cheek was almost touched by the stuff of her dress and the gauze of her scarf. But when, at such a moment, _Mi manca la voce_ is being sung, and by the finest voices in Italy, it is easy to understand what it was that brought the tears to Rodolphe’s eyes.